Diaries of The Breadman’s Daughter: Never too Late to Start Over.

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Girl Warrior. It’s never too late to start over. To press the refresh button. Begin anew. Hit reset, reboot or recharge. Give yourself a second chance. Or third, fourth, tenth, hundred times a hundred.

And see what happens.

No matter where or what you’ve been or done or said or not said up until this very moment, matters not. Really, truly, completely absorb this. Believe it. Not just with your mind but with your heart. In fact, let your heart take the lead with this particular endeavor. For your heart’s ancient omnipresent wisdom will guide you every step of the way. It will not fail you.

So fear not.

Then, remember the innocence, the wonder and pure gorgeousness of your Little Girl Warrior. Remember her? She’s there now and always has been. Go back to her. Wrap your loving arms around her. Have a heart to heart. Take her by the hand. Renew your acquaintance with this precious person. The young Girl Warrior, who wore the cape and armed with wide-eyed wonder and a great big unstoppable imagination, believed she could be anyone, do anything, go anywhere. Conquer the world in her rare and one-of-a-kind fashion. She was radiant Starshine. And she is still with you.

Girl Warrior, wipe the slate clean and go out and reinvent yourself today in a way that would make Little Girl Warrior proud. So proud.

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Diaries of The Breadman’s Daughter: The Sixteen Jacket.

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Author Boo King on the right wearing her Sixteen Jacket.

This is a story I wrote when I was thirty and living in Toronto about a jacket I bought when I was sixteen and living in Northwestern Ontario.

Tuesday and Thursdays were ballet night. Twice a-week, fifty-two weeks, one hundred and four classes, three hundred and and twelve hours, times two years, I endured the art of becoming physically fit. This was my commitment to “ParticipACTION.” I chose ballet because I thought it was a graceful form of exercise and also because as a child I had taken ballet lessons every Saturday morning for six years. I thought it was like riding a bike in that you never forgot how to do it, and that I could resume where I left off at age twelve. I was wrong.

My mind remembered so many fanciful things about those ballet lessons: the plies, the pirouette, the arabesque and the five basic positions of the feet. Unfortunately my body, which was stubborn and lazy at best, didn’t remember anything about those six years. I mean nothing. Nada. Zip. Zilch. Zero. A complete blank. My body was suffering from a bad case of childhood amnesia. There wasn’t a single solitary drop of aching residue in the memory bank.

Had there been some hint, some vague omen or sign of the pain and agony my aging body was facing, I would have chosen something less physical like badminton or lawn bowling. But there was no forewarning, no psychic twinge. So I heedlessly signed up for “introductory ballet” at a school within walking distance of our home.

Every Tuesday and Thursday night I was out there pliéing and pirouetting my popsicle-stick legs off. (I had terribly thin legs, which should have been another clue that perhaps ballet dancing wasn’t a good fit.)

After two years my body didn’t hurt quite so much. I could just about touch my toes without bending my knees and manage a demi-plié with semi-perfection on a good night. And I no longer hyperventilated in the middle of thirty soubresauts. My legs, however, still looked like two popsicle-sticks. And I had also faced the icy truth that I would never be able to do a pirouette nor an arabesque. My body was no longer equipped to do those things and probably never was.

Despite my skinny legs, I still entertained a few fantasies. I saw myself leaping and flying across the stage like Karen Kain or at the very least, Mary Poppins. I daydreamed about being Prima Ballerina for the National Ballet and touring the world, dancing the classics with the most renowned dancers. I mused that audiences would weep at my stunning performances and throw roses. Hundreds of them. White.

I went to Malabars and bought my black leotard and pink tights with matching pink leather slippers. I thought I looked pretty terrific, especially if you squinted with one eye and closed the other and only looked at my derriere. I was all set. I was a ballerina. I was more than ready for my first night of class after thirty years of very little exercise, one husband, two kids, two cats and an unhealthy addiction to Hawkins Cheezies.

I clung irrationally to the fantasy of becoming a dancer because it made me happy and also because it made it easier to drag my sorry ass home at the end of class. The fantasy got me through immeasurable humiliations. Like the sweat-drenched leotard and the run up the side of my pink tights, which lead to a golf-ball-sized hole at the top of my thigh. I didn’t get the hole from doing one too many jetés either, which is probably how Karen got hers, but from the clothesline. The plastic coating had worn off in one spot and I had the misfortune of hanging my tights right on top of the bare wire. The tights clung to the line like a blood-sucking leach and the only way I could pry them free was to cut them. It had been my intention to repair the hole except it was one of those things I never quite got around to. Instead I learned to live with the hole and began saving for an automatic dryer.

The Prima Ballerina fantasy also helped me forget that I didn’t have flat abdominals, my shoulders slouched, my hair was turning grey and the cute laugh lines were actually crow’s feet. It also helped me forget that I was the oldest student in the class and that the others didn’t have runs in their tights, a potbelly from two kids and too much tea, droopy boobs and legs that looked like Good Humor Bar sticks. They all had long muscular – but not too muscular – dancer’s legs with flat tummies and firm perky breasts and bums. It just didn’t seem fair somehow. Everyone was also so much taller. I’ve never felt so short in my life as I did in that class. Gravity seemed to be tugging me closer to the ground with every passing year. I figured by the time I was fifty I’d be three feet tall like the Munchkins in the Wizard of Oz.

I dressed for warmth on the nights that I went to class, especially when it was really cold. I didn’t dress for fashion. I gave up being fashionable when my daughter was six months old, teething and also had the flu, only I didn’t know it until she threw up all over a new sweater I had just bought. It was the last fashionable thing I had purchased for years. I typically wore a scratchy wool sweater over my leotard and jogging pants over my tights. Just to make things extra cozy and extra awful all at the same time, I piled on wooly socks, wooly mitts, wooly hat, wooly scarf, wooly jacket and hideous but practical boots. I was only walking three blocks but I realized since I turned thirty that I hate winter and can’t stand the cold. Every winter I made a promise to myself that when I became a rich and famous ballerina I was going to spend the winters in Tahiti or anywhere below the forty-ninth parallel. I wanted out of Canada in the winter. Possibly permanently.

I bought the jogging pants because three New Years Eves earlier I resolved to start running to ward off the excess baggage I was carrying around after my second kid. They were grey sweat-shirty material with a drawstring waist that I thought would get drawn tighter and tighter with every mile I ran and every inch I lost. As it turned out, I never exactly ran a mile nor did I lose an inch. I gained one or two because the pants were so comfy and roomy that I never wanted to take them off. They gave me so much room to grow. They became my happy pants.

I tried to run. I really did. But it just didn’t work for me. I guess my body wasn’t equipped to run either. My first run was so full of promise. There I was in my new grey sweatpants and black sneakers, the epitome of running prowess all raring to go. Two blocks later and I swear I could not breathe. I had absolutely no air in my lungs. None.

I started to gasp and wheeze and I had absolutely no feeling in my body from the waist down. My legs were numb. I could see them wobbling like Jell-O beneath the grey jogging pants and I just couldn’t get them to move another inch. My body was treasonous. What could I do but surrender and give up running.

I limped home, collapsed through the door and begged my husband to pull the sneakers from my lifeless feet. I folded up the sweatpants and stuffed them in the back of our linen closet behind the sheets and pillowcases.

I pulled them out one time after that. It was about five months later when I figured I would give running one more try. I put on the pants and a coordinating red t-shirt and immediately broke into a cold sweat. My breathing grew labored and my ankles felt weak. I recognized the symptoms. I had jogger-phobia, aka runners-terror. I was deathly allergic to running and anything associated with it.

The first time I decided to wear the sweatpants to dance class I was so worried that I would be overcome with jogger-phobia that I actually had to psyche myself up for the task. I was determined to overcome all negative associations with the pants. They were just pants after all. Victory would be mine. They were in perfect condition and I hadn’t worn anything in perfect condition since the birth of my second kid. I also thought they were the perfect thing to wear after a sweaty workout. Why else would they be called sweatpants? Besides that, everyone seemed to be wearing them. A fashionable opportunity had presented itself and I could not turn it away. For once in a really long time I would be on-trend.

I survived that first night and the subsequent two years of classes. The grey sweatpants became part of the uniform that I wore to class every week, along with the “sixteen jacket.”

I started wearing the sixteen jacket about nine months after my first class. It was nine months – one winter, one spring and one summer of pliéing my legs off and wearing the grey sweatpants afterwards. It was late September and the summer sun was long gone in the sky. The evenings were growing cool, the leaves were beginning to drop and the first snowflakes were threatening the sky. The time was drawing near when I would have to pull out the old black duffle coat that I had worn for so many years I was seriously considering having my floors carpeted in duffle because it never seemed to wear out. It was like some weird alloy of steel and sheep.

The weather had taken a turn for the worst the day before class that September. I could smell winter coming even though Fall had just begun. It was a strange year. The trees were shedding profusely and my knees were beginning to ache. It was time to pull out the old duffle to wear to class the next night. The morning of the class I foraged through the storage closet in the basement in search of the duffle coat and my black wool hat. That’s when I discovered the sixteen jacket – sandwiched between my husband’s winter parka and my son’s skidoo suit. I called it the sixteen jacket because I bought it the summer I turned sixteen.

There’s something magical about turning sixteen, especially in the summer. Summer has always been a magical time for me anyway so turning sixteen during my favorite season only made it that much better.

I had lots of hopes and dreams for that summer. I hoped I would get a job, which I did. I hoped I would have enough money at the end of the summer to buy the chocolate brown suede jacket I saw in the Fall Sears catalog, which I did. I hoped I would meet a boy and fall in love, which I did. I hoped I would find out what it was like to kiss a boy, which I did. I also hoped my face would clear up, my hair would grow instantly from my shoulders to my waist and that my boobs would grow at least six sizes. None of those things happened. But I wasn’t disillusioned because I was too happy about all the other things that did happen. It was a fabulous summer and I was convinced it was all because I had turned sixteen.

Actually the job I got wasn’t exactly what I had hoped for. My girlfriend Suzy got a job helping her mother in the cafeteria of the newspaper. And my other girlfriend Terry got a job working as a checkout girl at Safeway and I got Terry’s old babysitting job. It wasn’t such a great job but I was grateful to get anything because I really wanted that jacket. I worked for this family with three kids – two boys, one of which was handicapped, and a girl. They were nice kids. I was an awful babysitter. I sat from eight until noon, Monday to Friday and made twenty-five dollars a week.

I never really liked babysitting. It’s not that I didn’t like the kids because I did; it’s just that it was so tiring. I guess my body was pretty lazy even back then. I was usually more tired in the morning. It was a bad time to be sitting. Sitting is literally all I did. I sat in this La-Z-Boy recliner that they had in their living room and watched the kids. They were studious kids. Brains. The oldest one wasn’t much younger than me and I often wondered why I was even there. They used to like to play games. I hated games. Still do. I would play with them once and a while on one of my better mornings but mostly I just sat there and watched until their mother came home and said I could leave. Then I’d be back the next morning at ten to eight and resume my place in the old recliner. I was a really awful babysitter. And I would have felt guilty about taking the twenty-five dollars every week if I hadn’t been sixteen and wanted that jacket so badly.

I guess falling in love was the most important thing that happened to me that summer. He was my first boyfriend. I hadn’t been too big on boys up until that summer but sometime between March and June I got a bad case of the boy crazies. Suddenly boys were no longer jerks. They were cool and neat and I wanted one. Actually I think I really just wanted to wear one of their rings on my middle finger with gobs of white tape to hold it on more than I really wanted a boyfriend. I also really wanted to kiss one. At least once.

I met mine on a humid July Saturday night walking home from a movie with Suzy and Terry. He was with two of his friends in an old blue Ford with a noisy engine and a jacked-up rear end. I thought it was the grooviest thing I had ever seen. I also thought he was too. His name was John and I fell madly in love at first sight.

It was about a mile walk home from the movie theatre. We were laughing and discussing the merits of the movie when John and his friends pulled up beside us. At first we pretended we didn’t see them because they seemed like a bunch of jerks. But when they kept driving that old Ford along the road beside us, whistling and making catcalls we couldn’t ignore them any longer. Or at least Suzy decided she couldn’t. She was the most daring of the three of us, plus she had a very bad case of the boy crazies, even worse than me. Suzy had caught sight of the driver and was definitely interested in meeting him. When they asked if we wanted a ride Suzy said yes without hesitation and was in the back seat before Terry and I had a chance to refuse. I remember sitting in the back seat thinking this wasn’t a very good idea and that I shouldn’t be there. My mother had warned me at least two thousand times that I shouldn’t get into cars with strange boys. But then they were so darned cute. Especially John.

Nothing happened anyway. At least nothing bad happened. We drove around town, cruised the strip and went to A & W (A ‘n Dub) for teen burgers and root beers. John asked me for my number. I gave it to him and prayed he’d phone. I also prayed I wouldn’t break out into a terminal case of acne from the root beer.

John and I dated that entire summer. He gave me his ring, which I wrapped with white adhesive tape and wore on the middle finger of my left hand. We went to the drive-in where we swore to love each other forever and a day. We shared popcorn, hot dogs, French fries and Cokes. I thought love was sublime except that it was a little hard on the face. I felt very beautiful and grown-up.

By mid-September John was confessing his undying love to someone else. I suspected but didn’t actually know for sure until the other girl came to me and said John wanted me to give her his ring. So I did. White tape and all. I cried one whole night and the next morning at school, which I felt was an appropriate amount of time for a first love.

I bought the sixteen jacket the first week of September. It was the first really major thing I had ever bought with my own money. I ordered it through the Sears catalog. I came home every day from school that week and asked my mother if Sears had phoned yet to say the jacket was in. Sixteen year-olds are very impatient as well as having absolutely no concept of time. Finally after what seemed like months, it came. My mother had Sears deliver it right to our door. It came on a Friday, which was perfect because I would be able to wear it out to the movies with John that night. I was anxious to show it to him. My mother left the unopened Sears package sitting on the kitchen table for me. I spotted it as soon as I walked in and couldn’t wait to open it. I ripped off the scotch tape and tore at the brown wrapping paper. I pulled it out and immediately ran my fingers through the lush suede. I moved the nap of the soft buttery hide in every direction to see all the different shades of brown within the leather. I held it up to my nose and smelled its newness. It had an indescribable sweet smell. It reminded me of a great big velvety Hershey’s bar.

I tried it on and strutted around the kitchen like Twiggy and struck all her famous poses from Vogue magazine. My mother raved on at how beautiful it was and how it was “definitely you.” If ever there was a jacket that was tailor-made for me, it was. I kept it on until John came to pick me up for the movies. He said it was a “nice” jacket but he wasn’t quite as enthusiastic as I had hoped he would be. I figured it was because he was just in a bad mood or something. But it wasn’t that. By then he was already telling the other girl how much he loved her and he didn’t have the guts to tell me that the summer was over. And so was his love for me.

We went to the movies that night and then for Cokes at the local teen hangout afterwards. We sat at the counter because we couldn’t get a booth. Maybe if we had, he would have told me about the other girl and I wouldn’t have had to find out from her instead. But we didn’t get a booth and it was crowded and he was moody and I was giddy about my new jacket. I thought I was so cool.

We ordered Cokes. He sat slumped over his and I sat sipping mine, all the while watching him, hoping and praying he’d say something utterly fantastic. After a few minutes I got bored and pulled the straw from my glass and started playing with it. I pushed my Coke off to the side of the counter to give me more room to twist and contort my straw into goofy shapes, and to keep a close watch on John, who by this time had his nose in his glass. He looked ridiculous. It was then that the guy beside me reached over for the ketchup bottle and spilled my Coke down the front of my brand new suede jacket. I jumped up like a bat out of Hell, screamed and then began mopping up the Coke like mad with piles of serviettes.

It was then that I discovered the resiliency of suede. The Coke seemed to slide right off. We all agreed it looked like it wouldn’t leave a stain. The Coke spilling guy felt awful about the accident and kept apologizing. I felt bad for the dumb jerk and told him I was sure my brand new suede jacket would be just fine once the Coke dried.

John and I left immediately and went straight to my house. I cried all the way home. John kissed me goodnight, which turned out to be our last kiss. I went to bed that night wearing my chocolate brown suede sixteen jacket and nothing else. It was all I needed.

When I found the sixteen jacket that morning tucked away with all the other things I never wear but can’t seem to throw out, I could smell the Hershey’s sweetness of the leather, John’s last kiss and the Coke down the front, the exhaust fumes from the borrowed Ford John drove that night, the tears and the joy. I could smell it all. I don’t remember anything ever in my whole life smelling so good.

I held it up to my nose the same way I did that Friday and I was sixteen all over again. I could feel the magic of that summer. I felt young and happy and it didn’t matter that I had a potbelly or crows feet. It didn’t matter that I would never be a Prima Ballerina. Because every Tuesday and Thursday when I put on the sixteen jacket and made my way to and from that dance class, I had a pocketful of dreams.

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The original manuscript typed in red ink on a Collegian Typewriter.

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Two Ballerinas.

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Ballerina Boo.

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Author Boo King on the left wearing the grey sweatpants.

 

 

 

 

Diaries of The Breadman’s Daughter: Dress the Part.

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Girl Warrior. Dress the part. Every Girl Warrior should have a costume. Something that is uniquely her. At first blush, it might look just like someone else’s. Don’t be fooled. No two Girl Warriors wear their costumes in the same way. This is your personal power suit. Put it on.

Strut your stuff. Don’t apologize for the cut, color or condition. Walk. Run. Skip to my Lou. Black leather jacket. Frilly blouse. Skinny jeans. Mini skirt. Floor length gown. A sundress blooming with flowers. Floppy hat. Or fascinator. A pinstriped suit. Kick-ass boots. Red stiletto shoes.

It’s not about fashion. It’s about expression. Wearing the inside out. It’s about attitude. Character. Originality. You are a rare bird Girl Warrior. Know this.

So put on your cape. And fly.

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Warrior Boo - Feature

Diaries of The Breadman’s Daughter: The Fountain of Youth.

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Dear Beautiful Sarah Jane,

You saw my photograph and asked me, “If I found the fountain of youth?” On the one hand I took this to be a wonderful compliment, but I also saw this as an earnest question worthy of thoughtful reflection and consideration. It is however, a bit like asking, “what’s the secret or meaning of life?” The short answer is, “I don’t know.”

The Fountain of Youth is something I’m not in search of. Perhaps that’s the secret to finding it. Stop looking. What a gorgeous paradox this is.

I am now safely on the other side of young. But it wasn’t necessarily an easy journey getting here. Learning to accept that I am aging. Growing older in this Earth Suit that will one day expire. Accepting the changes to the way I look has at times been difficult. I’m still startled and spooked by the old woman who stares hauntingly at me in the mirror. But thankfully I’m less preoccupied these days with hanging onto the young “me” I once was. I am now more interested in being well, in particular, well in my soul. Could be another secret Sarah Jane.

This is who I am now.

Today, in this photograph, I look like this. Some days I look worse. Tragic even. Rod Stewart put it best in his song Maggie May, “the morning sun when it’s in your face really shows your age.” It’s true. Morning light can be a real buzz kill to an old broad like me. Ah, but afternoon light, after a good night’s sleep and a cup of chai tea with someone you love, works miracles. One more secret maybe Sarah Jane.

I have always looked younger than my age. Possibly because I’m physically small and spiritually large. I look inwards more than outwards. I explore fearlessly my interior world and let the exterior grow out of that. I meditate and do yoga every day. Is there some clue in this practice Sarah Jane?

I eat well and wisely most of the time. But then I also devoured a big bag of Lays potato chips last night. I never go to bed with makeup on. I brush my teeth three times a day. Take vitamins. Drink gallons of water daily. Laugh out loud a lot. I burp like a pig. I play music. Sing in the shower. Sit in the shade on sunny days. Go for long walks up country roads. I take tons of pictures on my cell phone. Read books and write something every day. I keep my mind open to the possibilities. Pursue wisdom and knowledge. I never stop learning. And most importantly, I hang out with dogs and good people of all ages. A secret there perchance Sarah Jane?

I love fashion. But ironically hate to shop, unless I’m with “my girls.” Then it’s fun. Especially if we stop for lunch and gossip. I do love clothes though. I’ve learned that if worn well, they cover up a whole host of not-so-pretty issues that develop as you age. Some people probably think I dress inappropriately for my age. I say fuck them. Or that I’m too old to wear my hair so long and dye it red. I say fuck those people too. I swear. And I’m unapologetic. I don’t know if there’s a secret in that Sarah Jane.

Then there’s just plain old luck and good genes. My mother was Italian. She was small physically, spiritually large and had beautiful flawless skin all the days of her life. She also dyed her hair jet black right up until the very end when she was too ill to do so. She taught me all the things I have just shared with you. Except she didn’t swear.

One last thing Sarah Jane, my sweet butterfly. Stay fierce about life in all its colors and complexities. Never let go of your curiosity and always stay close to the ones you love.

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Diaries of The Breadman’s Daughter: Everything I Know About Fashion I Learned from my Father.

Looking handsome in his army uniform.

I like fashion.  Part of me blushes with embarrassment at confessing such a thing. For three reasons.  One. It seems superficial and frivolous, especially when there are so many serious and tragic things going on in the world.  Two. I thought that by now I’d be past caring about what I wore, much less if my butt looked good in skinny jeans.  Three.  I’ve never been much of a girly girl so having a passion for fashion and being a tracker of tony trends, that includes knowing the hottest color of lipstick, seems out of character.  This is one of those loves I’ve kept in the closet.  Under wraps.  Shawls.  Sweaters and other lovely things. Until now.

All dressed up to pull a sleigh through the neighborhood.

Here’s the paradox. In actuality, I don’t like shopping. I just like clothes and shoes and accessories and make-up.  If I was rich I’d have them brought to me.  Like the Queen.  Although I must admit I’ve been known to engage in a little retail therapy with my youngest daughter, from time to time.  Truth is, it feels wonderful, especially doing it with her.  She is my fashion consultant and barometer.  She has a keen eye for all things fashionably hip yet balanced by age appropriateness.  It’s absolutely fabulous Darling.  I highly recommend it.  In small doses of course.

Every now and then, I wonder if this trivial pursuit is really necessary.  The Old Man would say an emphatic YES.  So it is he who sowed the sartorial seed, and in this case, the apple doesn’t fall far from the tree.

Summer time and the living is easy. So are the fashions.

Ma was a natural Italian beauty.  She always looked lovely when she went out, even if it was just to the grocery store.  A splash of lipstick was all she needed and she was good to go.  Her personal style was a combination of things that were fittingly fashionably for the time and casually comfortable.  She preferred slacks and long-sleeved bright colored tops that coordinated. Her fav top was a hot pink check.  When it came to shoes, hers were always made for walking.  Grace and natural beauty aside, Ma would never have made it to the cover of any of the ladies’ magazines she so enjoyed reading.

His flair for fashion started young.

The Old Man on the other hand was the sharp dresser.   This was something I stumbled upon while curating hundreds of family photos.  It was in the faded pages of old family albums and in the musty cardboard boxes stuffed with cracked and gnarled black and white images that I discovered this other side to my father.  He was a Beau Brummell.  A Dapper Dan.  Snazzy and spiffy.  A downright trendy dude.  Where Ma’s fashion sense leaned towards the conservative and a touch predictable, The Old Man was stylish and clearly hip to current trends.  His polish and flair could be seen across the decades.  It was there in every precious detail.  Topdown.  Hats to shoes.  Everything in between.  This was all the more extraordinary given the geographic distance between our unsophisticated northwestern town and the fashion meccas. When I was young there weren’t many places to shop for clothes.  Nor did we have the financial resources to do so. We were a family of modest means.  Yet like Ma, he made much from little.  Where he got this flair for fashion I’ll never know.

The kilt-wearing band of brothers.

A large part of The Old Man’s adult life was spent in a uniform.    First there was the kaki colored army uniform that he wore in the early forties.  He is dashing in his official portrait.  His side cap tilted towards his right ear with brass buttons front and centre.  Black tie smartly snapped to attention.  Regulation trousers.  Two of the ancient photographs reveal an homage to the Canadian Scottish Regiment that he was part of.  The tartan kilt.  This provocative and valiant man-skirt showcased his strong legs adorned with traditional woolen knee-high hose.  Head gear was a Scottish beret with a fetching pompom on top.  A leather sporran hung on a strap around his waist.  And sturdy leather brogues were issued with marching orders.

The working man’s uniform.

He wore a uniform to work every day.  Blue twill pants and matching jacket complete with embroidered company name badge.  Shaw’s Holusm.  A basic ballpoint pen clipped into the single-button pocket always in the ready.  His name Bill embroidered in simple readable script across the lapel of the other pocket. He dressed this up with a crisply ironed shirt in pale blue or white and minimalist dark tie in navy or black.  Comfortable solid leather walking shoes were a must-have.  Easy smile and eager-to-please attitude complemented this working man’s ensemble.

Mr Cool with his family.

His summer attire was casual, designed for comfort and easy living.  Basic cotton or polyester trousers in neutral colors.  Beige, gray, navy or white.  With or without cuffs, side pockets and always belted.  Golf shirts were an essential.  Stripes, both horizontal and vertical, abstract patterns or plain versions in fashionable colors that coordinated with his pants.  This particular proclivity had nothing to do with the sport because he never golfed.  It was all about fashion. Pure and simple.  In the spring, or for breezy summer evenings, he layered this look with beautifully lined windbreakers that zippered to a close.  My personal favorite was from the early sixties. This little number was a cream colored short jacket cut from a toothy fabric with a wide ribbed elastic waistband that hugged the top of his hips.  The easy-going turned down color revealed a bolo tie anchored to a pale colored buttoned up shirt.  A study in contrasts.  Aviator sunglasses and ever-present cigarette were the definition of Rat Pack cool.

Mad for plaid and his new baby girl.

On cold wintery days in the fifties and sixties, he sported a knee-length dark wool overcoat with matching fedora.  No matter where he went. Even if it was a mere stroll through the neighborhood pulling me on a sleigh. He also owned a smashing mid-thigh single-breasted charcoal gray car coat with big roomy pockets.  And parkas with zip-out linings that extended their wear.  Sometimes function did take precedence over form.  He was also mad for plaid in winter.  Especially when it came to soft flannel shirts.  Either tucked tidily into his trousers or worn over like a jacket.  Still always buttoned to the top.  He wore this lumberjack garb on the weekends or in the evenings.  To hockey games with one of his brothers or while making a backyard rink for me.  If there is such a thing as primal memory than somewhere deep inside my soul is the comforting feeling of the flannel shirt he wore in our very first photograph together.  The one he carried in his wallet from my infancy to his death.  I can’t think of a better fashion statement than that.

He loved suits and music.

He loved suits.  And dressing up from head to toe.  He had many over the years.  Always stylish.  Not Brooks Brothers nor European hand-stitched expensive jobs.  Yet always the perfect cut and fit.  Sometimes he donned a natty vest that came with the suit.  Other times it was a v-necked knitted vest or sweater.  He went to church every Sunday dressed to the nines.  Shirt crisp and snappy.  Cuff links in place.  Tie full Windsor knot.  Shoes polished to a spit-shine.  Sunday mornings aside, The Old Man welcomed opportunities to put on a suit and tie.  Weddings.  Funerals.  Graduations.  Union conferences.  Any function with even a dash of formality would do.

Cool and casual.

He also had a collection of sport coats for more casual outings.  He relaxed his attire when wearing one of these.  Loosened his shirt at the neck leaving one button undone and the collar on the outside of the jacket.  No tie.  While I loved his rogue edition from the sixties my absolute favorite was classic eighties.  Deep burgundy velvet.  He wore it proudly to an Awards Ceremony in 1984.  It went beautifully with the striped Community Service medal draped around his neck that evening.  I also loved his navy blazer with the gold buttons and the extra wide white tie he wore with it.  A classic.

To say The Old Man loved shoes would be an understatement.  He called them “kicks” and there was always a reason to buy a new pair. The name was apt since he got such a big kick out of them.  His collection covered the cobbler’s gamut.  Pristine white sneakers.  Heavy black brogues.  Brown penny loafers.  White patten leather loafers.  Simple unembellished slip-ons.  Leather dress boots with zippers or laces.  Rubber galoshes.  And rubber slip-ons that covered the soles of his dress shoes to protect them from the harsh northern winters.  He loved them all.  He loved shopping for them.  Caring for them.  And most importantly, wearing them.

He also loved hats.  In his later years, he had a collection of baseball caps with various logos.  Teams.  Companies.  Places.  It didn’t matter.  He always wore them peak forward to shield his face.  They were often embellished with a quirky lapel pin or two from his collection of hundreds.  These caps were his standard summer headgear and he rarely went outdoors without one.  In winter practicality reined, especially as he aged.  The fedoras were put aside for more sensible woolen toques pulled snuggly over his ears.  Aside from the fedoras, which were so irresistibly dashing, I loved him best hatless. Until the day he died he had a magnificent head of hair.  He was an original Mop Top.

On the steps at 204 with his youngest grand daughter and Big Bird.

The Old Man cared about the way he looked even when he was elderly and walking was a struggle.  One of my favorite pictures of him was taken on the front steps at 204.  He’s sitting with my youngest daughter and her Big Bird knapsack.  A faint shadow of Ma can be seen standing behind the screen door bearing witness to the scene.  I was behind the camera.  It’s summer and true to form he’s dressed in his summer casuals.  Short-sleeved button-down plaid shirt, soft grey trousers, grey and black tweed socks, polished white leather sneakers and a red and black Reno baseball cap, peak forward.  He and Ma would be gone a few short years after that picture was taken.  Our time together had slipped away in a heartbeat.  In a fashionable New York minute.

My father taught me many things over the years.  Everything from riding a bike to driving a car.  Yet it wasn’t until this past year that I realized he also taught me everything I know about fashion.  Imagine that.

I love you Dad.  Happy Father’s Day.

Diaries of the Breadman’s Daughter: Cut From the Same Cloth.

The Crazy Quilt and the lifetime of memories it holds.

I love fabric.  Everything about it.  The look.  The feel.  The smell.  Nothing puts me in a bright-hearted mood like walking the labyrinth aisles of a fabric store.  There’s just something about the colorful categorized chaos that inspires me.  It’s the playful paradox of cloth. And my life.

The inherent tactile nature of textiles is also intoxicating.  With fabric, no matter how beautiful, getting an eyeful is never enough.  It must be touched to be fully appreciated.  For it is in the feel of the fabric that our emotions are thoroughly engaged.  I am never in neutral when I’m around cloth.  And the more senses involved, the happier I am.  The richer the experience.

I love to run my fingers across deep luxurious smooth velvet.  Or get lost in the grooves of the gorgeous cut versions.  I’ve got a major crush on the crinkled kind.  And don’t even get me started on my vibe for velour.  I love the ridges of corduroy, whether barely-there baby wale or the chunky heavyweights.  In the summer nothing says “the living is easy” like cotton.  Bold and brilliant simplicity.  Delicious ice cream colored pastels.  Solid blocks of confident color.  Or whimsical patterns drawn from nature.  Sophisticated. Silly.  Cosmopolitan.  Or country.  I love it all.  And in the winter, my world is a wooly wonderland.  I also love fabrics in the raw.  Natural nubby silk, with its fusty scent, is quite simply divine.  I could drown in a sea of unwashed denim. Even burlap is beautiful to me.

When it comes to fabric I am cut from the same cloth as Ma.

Little back story. Ma loved to sew.  Her sewing machine, a chrome blue Kenmore beauty that The Old Man bought for her at Sears, was set up in our spare room upstairs next to “the boys” room.  It sat on a table in front of the window, that stared directly into our neighbor’s identical window less than twenty feet away.  In winter it was frigid wool-sweater-wearing cold in that room.  In summer it was hotter than a baked potato fresh off the fire. But regardless of the temperature, the sewing machine hummed happily.  The Kenmore came contained in it’s own case but because of its frequent use, the lid was rarely on.  It was a wonder of modern post war technology.  In fact, the basic design of that old lovely hasn’t changed all that much from the one I use today.  I was in awe of Ma’s ability to thread the machine so quickly and efficiently.  Expertly, her nimble fingers drew the thread through the various miniature levers and around the slits in the tension knob.  Up and down.  And all around.  Through the eye of the needle with ease.  And filling the circular silver bobbin.  Pure magic.  Connecting all of that mechanical mumbo-jumbo to turn fabric into something fashionable or functional.  Nothing short of miraculous.

I loved all the brightly colored threads that Ma collected in her fabric covered sewing box.  They were sweeter than candy and enough to make a rainbow envious.  I loved their little barrel shapes. The hole punched through the paper top from their turn on the spool pin.  The notch in the wood that held the end of the thread in place.  Perfection all of it.  The large-sized spools, with the basic black and white threads, were pragmatic and useful but not quite as interesting.  It was the collection of small ones that grabbed my attention and set my imagination wandering.  Even used-up naked spools had a purpose.  I entertained myself for hours with these little squatty wooden people.  I was the kid who had more fun with the cardboard box.

Ma used to make most of my clothes.  What began as a necessity, became a passion.  She had a flair for fashion and an artist’s eye for design.  Fortunately for me, I was one of the main benefactors of this talent.  One of the beautiful things about making your own clothes is their uniqueness.  The one-of-a-kind distinction.  There’s not another one quite like you walking down the street.  This is universally appealing.  Sometimes we want to blend in, be like everyone else.  Feel like we belong.  But we also want to stand out.  Be special.  Bask in our individual singularity.    That’s what Ma’s designs did for me.  I especially appreciated this once I became a teenager and my need to be “different” trounced my need to be just another cog in the wheel.  Of course, for the most part I was just like everyone else but try telling that to a sixteen year old.

One of my fondest and proudest memories of childhood is that of wearing a different “outfit” to school each day.  My favorite was the corduroy jumper.  It pleased me to receive compliments on Ma’s handy-work, in particular from my teachers, whom I held in high esteem.  I couldn’t wait to get home to tell Ma what the teachers said, watch her eyes light up to hear such honored praise for her sewing skills.

I don’t know if the ability to sew is in my genes exactly, but the love for it was definitely passed on to me from Ma.

By the time I got to grade seven, Ma started to teach me everything she knew about sewing.  In Home Ec class, which was mandatory back then, the first thing we had to make was an apron.  Without Ma’s guidance I would have failed that class. As it was I was challenged to knit a perfect pair of baby pink slippers and my macaroni cheese casserole was abysmal.  But my apron was good and got me the passing grade.  Once I was in high school, Home Ec was an elective.  I gave it a pass in favor of music.  I was much more interested in playing an instrument than playing with a measuring cup.  Besides, by then Ma was the best Home Ec teacher a girl could ever have.

In high school I became fashion conscious.  I was awakened.  Had an epiphany.  A sudden revelation.  For the first time, I realized that clothes actually said something about who you were.  They were a way to express yourself.  Make a statement.

I loved to comb through magazines picking out fashions that I thought were cool and reflected my inner being.  Styles that spoke to me.  I would show Ma little dresses that I liked and ask, “Can you make something like that Ma?”  I remember so vividly one little dress in particular.  It was a “baby doll.”  All the models in the magazines were wearing them.  Twiggy, the doe-eyed waif, looked especially smashing in her little number.   I had to have one.  Despite the fact that I was half Twiggy’s height and twice her weight, I knew I could look just as groovy.

Ma and I went straight to the fabric department situated on the top floor of Eaton’s.  The Mecca for sewers in our small northwestern town.  It was awash in bright sunlight and cheerful colors. First we scoured the pattern books for dresses that looked like the ones we saw in the fashion magazines.  There were no exact matches but Ma was a wizard at adapting patterns and adding her unique touch to achieve my voguish vision.  It was Spring and the seasonal cottons were in abundance.  We combed through the sundry bolts of fabric until we found the perfect motif.  Navy blue background adorned with tiny hot pink flowers with little viny green stems.  Just like in all the magazines.  Perfect for my baby doll dress.  Ma had this idea to add some pink cotton lace around the bottom edge of the bodice and tiny pink buttons as accents on the sleeves and neck front.   A Navy zipper, thread and seam binding completed our purchase.  I was beside myself with excitement and anticipation.  Step aside Twiggy.

Although I was learning my way around the Kenmore by this point, making a baby doll dress was not in my wheel house.  I had managed to avoid making anything that required zippers or button holes and wasn’t about to start with something of this magnitude.  Ma would be flying solo as the seamstress on this project.  And I trusted her unconditionally to do an impeccable job.  And she did not disappoint.  In addition to being a wizard on the Kenmore, she was a bit like an elf in her industriousness.  I went to school in the morning and came home to find a brand new baby doll dress waiting for me.  It was perfect.  Beyond my wildest expectations.  Better than the one Twiggy wore in the magazine.  It fit perfectly.  I felt fantabulous wearing it.  I wore it to school with navy tights and navy Mary Jane shoes.  It was the best outfit I ever wore.  And in many ways, nothing has made me feel that good since.

The Old Man and Ma in the powder blue gown I made for her.

Over the years Ma made me many dresses.  And I have made myself many as well, including my first wedding dress.  I even made one for her.  A soft powder blue floor length gown that she wore to some function with The Old Man.  She looked beautiful.  It was a labor of love.  Payback for the baby doll dress and all the other marvelous clothes she so tirelessly made for me.

People who sew tend not to throw away fabric. It’s all so precious and dear.  There are always scraps, bits and pieces left over from each project.  Ma saved all these little bits from her sewing history.  Then she gave them all to me.

Early in my first marriage, shortly after my oldest daughter was born, I began a project.  It was ambitious, and as I look back on it now, I was probably suffering from post-baby hormones. The ones that make you do cuckoo things.  What else could have made me embark on such an enormous undertaking?  It was in this frame of mind that the crazy quilt began.  It took about a year to hand embroider all the random pieces from a lifetime of sewing and stitching into a six foot by six foot masterpiece of psychedelic irregularity.  Asymmetrical.  Crooked.  Uneven.  The story of my life.

I used brightly colored cotton embroidery thread to hold all the individual pieces together.  The delicate stitches were all the ones Ma taught me.  Blanket, cross and chain.  The occasional french knot just for fun.

As the crazy quilt grew bigger and bigger, it was like I could see my entire life unfurl before me. The bright pink checkered dance costume.  The turquoise, teal and red baby wale corduroy jumper.  The long multi-colored hippy peasant gown.  The short lime green mini dress with the purple flowers.  The white eyelet skirt.  The embroidered dashiki top.  The wedding dress. Assorted kitchen table cloths and placemat sets.  They were all there.  And when it was all done, I carefully spread it out on the bed I shared with my husband.  It took my breath away.  My heart and mind drifted back to that little room at the top of the stairs where Ma sat with her beautiful elegant piano fingers.  Guiding the fabric along the steel plate of the blue Kenmore.  Her foot steady on the speed pedal.  The rhythm of the needle keeping pace.  By day’s end a baby doll dress for her much loved daughter.