Diaries of The Breadman’s Daughter: Interview with Girl Warrior Jo Dworschak.

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There’s no age limit to being a Girl Warrior. She doesn’t look a particular way. She comes in all ages, sizes, shapes and colors. She’s out there. And inside every girl who enters the world. She’s the face of hope at the bottom of Pandora’s Box.

She is not afraid of her fierce magical powers. It is here that we have come to celebrate. Honor. Appreciate. And applaud.

Today we raise our fists high and put our hands together in celebration of our first Feature Girl Warrior, the extraordinary and inspiring Jo Dworschak. Comedian, broadcaster and writer and best known for her hit game show Story Story Lie and co-hosting of the LGBT show Fruit Salad on Coop Radio.

What makes you a Girl Warrior?

That’s a hard question. I feel like the wins I’ve had came from struggles and they tend to remain a struggle. I guess that’s part of being a warrior? I keep doing it. Even when trying is hard and I really want to just take a nap…well I take a nap but then I wake up and get shit done.

We love Story Story Lie. How did that come about?

I was on a train ride from Brighton to London, actually on the wrong train cause I wanted to get moving and thought it would be an adventure to get on a different train and see what happened. Luckily the train went to London, but the opposite side of London and it was so late at night it took me two hours on buses with drunks to get back to my room. Everything that happened that night was unbelievable. Truth is so much stranger then fiction, that’s how the show came to be. Two true stories and one lie, can you tell them apart? I know who the liar is and I still get confused! Also I wanted a show that gave the audience a voice, made people feel clever for being able to interrogate the performers. I’m so lucky everyone has loved it!

What has been your biggest challenge?

Biggest challenge has been asking. Asking for the venue to host the show. Asking performers to join as contestants. Asking media to cover the show and asking CBC Radio to add the show to its line up (I’m still waiting to hear back). Asking invites the potential to get what I want, but also to not get it. That waiting time is still hard for me. There are times I’m rejected, but people are usually quite nice about it.

What obstacles have you overcome and walls have you broken down?

I’m a single parent. I’m lucky to have a son that is supportive of my dreams. It is hard to leave at night and perform when I can’t bring him with me. Though I realize he’s a teenager now and fine being at home with snacks and WiFi. I’ve suffered for years on and off with clinical depression. Some days getting out of bed, and on a stage, is very hard. Some days I have no clue why I still do it. But finding that story or that joke that connects with the audience, that helps them forget about their own problems or think differently about the problems of others make it worth it.

What would you say to your younger Girl Warrior? 

You’re voice is important! Anyone who tells you that your voice isn’t important, know just how important your voice really is.

What would you say to future Girl Warriors looking for inspiration?

Living a life without failure isn’t a life I’d want to live. We need to ask for what we want. We get a lot of yeses! And often the no’s tend to be for the best.

Who is/are your Girl Warrior hero(s)?

Frida Khalo, she was a cross-dressing bisexual who overcame a lot of pain and brought beauty into the world when she saw none. Also she had a lot of pets! That’s so cool!

What’s next?

This summer I’m flying my son and I to St. John’s Newfoundland. We are on a tight budget to buy a crappy car and drive back. The goal is to meet as many diverse families as possible and interview them for an audio doc project I’m calling Families Across Canada. We want to find the things we all have in common and the things we can learn from each other. I truly believe sharing each others stories breaks down walls and builds strong bridges.

Where do you see yourself in 5 years?

On stage, on air and writing! I want to be able to live as a Creative. I would love for Story Story Lie to be bigger! To be traveling with that show and bringing diverse voices to the stage. I’d love to work on CBC Radio! Entertaining the masses and making people laugh. And having a hit show on CBC Radio.

Follow Jo on Twitter and Instagram @storystorylie. If you’re in the Victoria area on April 1, be sure to catch Story Story Lie at The Mint Victoria and see if you can spot the liar!

Get tickets to the show here: https://www.eventbrite.ca/e/story-story-lie-victoria-edition-tickets-31672884450

 

 

 

 

 

 

 

Diaries of The Breadman’s Daughter: Friday Night Dinner.

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This is a little fictional riff I wrote on routines and rituals, the dance of love, the intricacies of marriage and cooking Italian on Friday nights.

Pasta and Salad

They were back to back cooking Friday night dinner. The usual. Pasta and salad. He asked her what she was thinking. She told him the truth. He changed his mind about slicing the cherry tomato in half. Instead he turned to admire her lovely sensual back as she stirred the marinara sauce.

Basil and Oregano

His grip tightened. The sweetness of freshly plucked basil and oregano enveloped the kitchen. The spaghetti strap on her white cotton sundress slipped loosely over her tanned shoulder. Her hair scooped high in a messy tail exposed her delicate neck. He was no longer hungry. The truth had that affect on him.

Marinara Sauce

The sway to her hips as she grooved to Coldplay broke his heart. Nobody said it was easy. They got that right. Her sultry Italian lips kissed the wooden spoon smothered in steaming marinara. When they first started cooking together she would invite him to taste her sauce. But it was no longer his palate that she was seeking to please.

Steamy Sacred Ritual

She adjusted the seasoning and plunged the spoon back into the thick rich sauce. He noticed that one of her turquoise earrings was missing and this made him feel sad. God, it was hotter than hell outside and sizzling in their tiny kitchen. Yet she insisted on keeping this weekly culinary ritual. “Sacred,” she called it. Insane, was more like it.

Boiling Water

He was sweating bullets yet she was cool as a cucumber. Her full childbearing hips rotated in pulsing infinity circles. Round and round. Effortlessly sustaining the rhythm of the driving guitar riff, all the while stirring the marinara. Irony is cruel at times. Some voids were impossible to fill. The stainless steel pasta pot, a wedding gift from her parents, had come to a full boil. Spitting and splashing beads of water violently onto the stove top. Like angry tears. He could relate.

Fistfuls of Linguine.

As she reached for the pasta, he could see the thin translucent scar on the inside of her fragile wrist. Exposed and formidable. Skimming the surface of her veins. He longed to run his finger across it. Feel her vulnerability once more. He remembered how red and swollen it was at first. Like a lost river. But they were beyond that now. She measured the linguine by fistfuls. One for him. One for her. One for the pot. Just in case.

Forks and Other Kokkengrej.

She reached for the stainless steel fork that was stuffed in the pottery utensil jar next to the stove. It was the big one he used to remove the steaks from the BBQ. He knew it was bad form to pierce the meat like that. Releases their juices, she would chastise. Toughens the meat and makes it hard to chew. He knew this. But he couldn’t resist the urge to stab. Impale lifeless objects. It was in his blood. He was once an ancient warrior. She was the Goddess of basil and other fine herbs.

Al Dente.

He leaned back on the counter and watched as she stirred the pasta. He had difficulty breathing around her. There was a time when this was fun. And romantic. He closed his eyes and remembered. How she used to test the spaghetti. How she’d take a few strands and toss them across the room. How they giggled and applauded the sticky ones. How they carved their love in steam.

Breaking Bread

She insisted he cut the bread into perfectly polite little pieces. “It’s not rocket science,” he scoffed as he pulled out the scarred pine board and prepared the filone for cutting. It wasn’t all that different from sawing a piece of wood. A skill he had mastered at his father’s side by the time he was eight. She was all wrong about the bread though. It was made to be broken, torn and ripped apart. Stuffed into their mouths like savages.

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Diaries of The Breadman’s Daughter: The Sixteen Jacket.

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Author Boo King on the right wearing her Sixteen Jacket.

This is a story I wrote when I was thirty and living in Toronto about a jacket I bought when I was sixteen and living in Northwestern Ontario.

Tuesday and Thursdays were ballet night. Twice a-week, fifty-two weeks, one hundred and four classes, three hundred and and twelve hours, times two years, I endured the art of becoming physically fit. This was my commitment to “ParticipACTION.” I chose ballet because I thought it was a graceful form of exercise and also because as a child I had taken ballet lessons every Saturday morning for six years. I thought it was like riding a bike in that you never forgot how to do it, and that I could resume where I left off at age twelve. I was wrong.

My mind remembered so many fanciful things about those ballet lessons: the plies, the pirouette, the arabesque and the five basic positions of the feet. Unfortunately my body, which was stubborn and lazy at best, didn’t remember anything about those six years. I mean nothing. Nada. Zip. Zilch. Zero. A complete blank. My body was suffering from a bad case of childhood amnesia. There wasn’t a single solitary drop of aching residue in the memory bank.

Had there been some hint, some vague omen or sign of the pain and agony my aging body was facing, I would have chosen something less physical like badminton or lawn bowling. But there was no forewarning, no psychic twinge. So I heedlessly signed up for “introductory ballet” at a school within walking distance of our home.

Every Tuesday and Thursday night I was out there pliéing and pirouetting my popsicle-stick legs off. (I had terribly thin legs, which should have been another clue that perhaps ballet dancing wasn’t a good fit.)

After two years my body didn’t hurt quite so much. I could just about touch my toes without bending my knees and manage a demi-plié with semi-perfection on a good night. And I no longer hyperventilated in the middle of thirty soubresauts. My legs, however, still looked like two popsicle-sticks. And I had also faced the icy truth that I would never be able to do a pirouette nor an arabesque. My body was no longer equipped to do those things and probably never was.

Despite my skinny legs, I still entertained a few fantasies. I saw myself leaping and flying across the stage like Karen Kain or at the very least, Mary Poppins. I daydreamed about being Prima Ballerina for the National Ballet and touring the world, dancing the classics with the most renowned dancers. I mused that audiences would weep at my stunning performances and throw roses. Hundreds of them. White.

I went to Malabars and bought my black leotard and pink tights with matching pink leather slippers. I thought I looked pretty terrific, especially if you squinted with one eye and closed the other and only looked at my derriere. I was all set. I was a ballerina. I was more than ready for my first night of class after thirty years of very little exercise, one husband, two kids, two cats and an unhealthy addiction to Hawkins Cheezies.

I clung irrationally to the fantasy of becoming a dancer because it made me happy and also because it made it easier to drag my sorry ass home at the end of class. The fantasy got me through immeasurable humiliations. Like the sweat-drenched leotard and the run up the side of my pink tights, which lead to a golf-ball-sized hole at the top of my thigh. I didn’t get the hole from doing one too many jetés either, which is probably how Karen got hers, but from the clothesline. The plastic coating had worn off in one spot and I had the misfortune of hanging my tights right on top of the bare wire. The tights clung to the line like a blood-sucking leach and the only way I could pry them free was to cut them. It had been my intention to repair the hole except it was one of those things I never quite got around to. Instead I learned to live with the hole and began saving for an automatic dryer.

The Prima Ballerina fantasy also helped me forget that I didn’t have flat abdominals, my shoulders slouched, my hair was turning grey and the cute laugh lines were actually crow’s feet. It also helped me forget that I was the oldest student in the class and that the others didn’t have runs in their tights, a potbelly from two kids and too much tea, droopy boobs and legs that looked like Good Humor Bar sticks. They all had long muscular – but not too muscular – dancer’s legs with flat tummies and firm perky breasts and bums. It just didn’t seem fair somehow. Everyone was also so much taller. I’ve never felt so short in my life as I did in that class. Gravity seemed to be tugging me closer to the ground with every passing year. I figured by the time I was fifty I’d be three feet tall like the Munchkins in the Wizard of Oz.

I dressed for warmth on the nights that I went to class, especially when it was really cold. I didn’t dress for fashion. I gave up being fashionable when my daughter was six months old, teething and also had the flu, only I didn’t know it until she threw up all over a new sweater I had just bought. It was the last fashionable thing I had purchased for years. I typically wore a scratchy wool sweater over my leotard and jogging pants over my tights. Just to make things extra cozy and extra awful all at the same time, I piled on wooly socks, wooly mitts, wooly hat, wooly scarf, wooly jacket and hideous but practical boots. I was only walking three blocks but I realized since I turned thirty that I hate winter and can’t stand the cold. Every winter I made a promise to myself that when I became a rich and famous ballerina I was going to spend the winters in Tahiti or anywhere below the forty-ninth parallel. I wanted out of Canada in the winter. Possibly permanently.

I bought the jogging pants because three New Years Eves earlier I resolved to start running to ward off the excess baggage I was carrying around after my second kid. They were grey sweat-shirty material with a drawstring waist that I thought would get drawn tighter and tighter with every mile I ran and every inch I lost. As it turned out, I never exactly ran a mile nor did I lose an inch. I gained one or two because the pants were so comfy and roomy that I never wanted to take them off. They gave me so much room to grow. They became my happy pants.

I tried to run. I really did. But it just didn’t work for me. I guess my body wasn’t equipped to run either. My first run was so full of promise. There I was in my new grey sweatpants and black sneakers, the epitome of running prowess all raring to go. Two blocks later and I swear I could not breathe. I had absolutely no air in my lungs. None.

I started to gasp and wheeze and I had absolutely no feeling in my body from the waist down. My legs were numb. I could see them wobbling like Jell-O beneath the grey jogging pants and I just couldn’t get them to move another inch. My body was treasonous. What could I do but surrender and give up running.

I limped home, collapsed through the door and begged my husband to pull the sneakers from my lifeless feet. I folded up the sweatpants and stuffed them in the back of our linen closet behind the sheets and pillowcases.

I pulled them out one time after that. It was about five months later when I figured I would give running one more try. I put on the pants and a coordinating red t-shirt and immediately broke into a cold sweat. My breathing grew labored and my ankles felt weak. I recognized the symptoms. I had jogger-phobia, aka runners-terror. I was deathly allergic to running and anything associated with it.

The first time I decided to wear the sweatpants to dance class I was so worried that I would be overcome with jogger-phobia that I actually had to psyche myself up for the task. I was determined to overcome all negative associations with the pants. They were just pants after all. Victory would be mine. They were in perfect condition and I hadn’t worn anything in perfect condition since the birth of my second kid. I also thought they were the perfect thing to wear after a sweaty workout. Why else would they be called sweatpants? Besides that, everyone seemed to be wearing them. A fashionable opportunity had presented itself and I could not turn it away. For once in a really long time I would be on-trend.

I survived that first night and the subsequent two years of classes. The grey sweatpants became part of the uniform that I wore to class every week, along with the “sixteen jacket.”

I started wearing the sixteen jacket about nine months after my first class. It was nine months – one winter, one spring and one summer of pliéing my legs off and wearing the grey sweatpants afterwards. It was late September and the summer sun was long gone in the sky. The evenings were growing cool, the leaves were beginning to drop and the first snowflakes were threatening the sky. The time was drawing near when I would have to pull out the old black duffle coat that I had worn for so many years I was seriously considering having my floors carpeted in duffle because it never seemed to wear out. It was like some weird alloy of steel and sheep.

The weather had taken a turn for the worst the day before class that September. I could smell winter coming even though Fall had just begun. It was a strange year. The trees were shedding profusely and my knees were beginning to ache. It was time to pull out the old duffle to wear to class the next night. The morning of the class I foraged through the storage closet in the basement in search of the duffle coat and my black wool hat. That’s when I discovered the sixteen jacket – sandwiched between my husband’s winter parka and my son’s skidoo suit. I called it the sixteen jacket because I bought it the summer I turned sixteen.

There’s something magical about turning sixteen, especially in the summer. Summer has always been a magical time for me anyway so turning sixteen during my favorite season only made it that much better.

I had lots of hopes and dreams for that summer. I hoped I would get a job, which I did. I hoped I would have enough money at the end of the summer to buy the chocolate brown suede jacket I saw in the Fall Sears catalog, which I did. I hoped I would meet a boy and fall in love, which I did. I hoped I would find out what it was like to kiss a boy, which I did. I also hoped my face would clear up, my hair would grow instantly from my shoulders to my waist and that my boobs would grow at least six sizes. None of those things happened. But I wasn’t disillusioned because I was too happy about all the other things that did happen. It was a fabulous summer and I was convinced it was all because I had turned sixteen.

Actually the job I got wasn’t exactly what I had hoped for. My girlfriend Suzy got a job helping her mother in the cafeteria of the newspaper. And my other girlfriend Terry got a job working as a checkout girl at Safeway and I got Terry’s old babysitting job. It wasn’t such a great job but I was grateful to get anything because I really wanted that jacket. I worked for this family with three kids – two boys, one of which was handicapped, and a girl. They were nice kids. I was an awful babysitter. I sat from eight until noon, Monday to Friday and made twenty-five dollars a week.

I never really liked babysitting. It’s not that I didn’t like the kids because I did; it’s just that it was so tiring. I guess my body was pretty lazy even back then. I was usually more tired in the morning. It was a bad time to be sitting. Sitting is literally all I did. I sat in this La-Z-Boy recliner that they had in their living room and watched the kids. They were studious kids. Brains. The oldest one wasn’t much younger than me and I often wondered why I was even there. They used to like to play games. I hated games. Still do. I would play with them once and a while on one of my better mornings but mostly I just sat there and watched until their mother came home and said I could leave. Then I’d be back the next morning at ten to eight and resume my place in the old recliner. I was a really awful babysitter. And I would have felt guilty about taking the twenty-five dollars every week if I hadn’t been sixteen and wanted that jacket so badly.

I guess falling in love was the most important thing that happened to me that summer. He was my first boyfriend. I hadn’t been too big on boys up until that summer but sometime between March and June I got a bad case of the boy crazies. Suddenly boys were no longer jerks. They were cool and neat and I wanted one. Actually I think I really just wanted to wear one of their rings on my middle finger with gobs of white tape to hold it on more than I really wanted a boyfriend. I also really wanted to kiss one. At least once.

I met mine on a humid July Saturday night walking home from a movie with Suzy and Terry. He was with two of his friends in an old blue Ford with a noisy engine and a jacked-up rear end. I thought it was the grooviest thing I had ever seen. I also thought he was too. His name was John and I fell madly in love at first sight.

It was about a mile walk home from the movie theatre. We were laughing and discussing the merits of the movie when John and his friends pulled up beside us. At first we pretended we didn’t see them because they seemed like a bunch of jerks. But when they kept driving that old Ford along the road beside us, whistling and making catcalls we couldn’t ignore them any longer. Or at least Suzy decided she couldn’t. She was the most daring of the three of us, plus she had a very bad case of the boy crazies, even worse than me. Suzy had caught sight of the driver and was definitely interested in meeting him. When they asked if we wanted a ride Suzy said yes without hesitation and was in the back seat before Terry and I had a chance to refuse. I remember sitting in the back seat thinking this wasn’t a very good idea and that I shouldn’t be there. My mother had warned me at least two thousand times that I shouldn’t get into cars with strange boys. But then they were so darned cute. Especially John.

Nothing happened anyway. At least nothing bad happened. We drove around town, cruised the strip and went to A & W (A ‘n Dub) for teen burgers and root beers. John asked me for my number. I gave it to him and prayed he’d phone. I also prayed I wouldn’t break out into a terminal case of acne from the root beer.

John and I dated that entire summer. He gave me his ring, which I wrapped with white adhesive tape and wore on the middle finger of my left hand. We went to the drive-in where we swore to love each other forever and a day. We shared popcorn, hot dogs, French fries and Cokes. I thought love was sublime except that it was a little hard on the face. I felt very beautiful and grown-up.

By mid-September John was confessing his undying love to someone else. I suspected but didn’t actually know for sure until the other girl came to me and said John wanted me to give her his ring. So I did. White tape and all. I cried one whole night and the next morning at school, which I felt was an appropriate amount of time for a first love.

I bought the sixteen jacket the first week of September. It was the first really major thing I had ever bought with my own money. I ordered it through the Sears catalog. I came home every day from school that week and asked my mother if Sears had phoned yet to say the jacket was in. Sixteen year-olds are very impatient as well as having absolutely no concept of time. Finally after what seemed like months, it came. My mother had Sears deliver it right to our door. It came on a Friday, which was perfect because I would be able to wear it out to the movies with John that night. I was anxious to show it to him. My mother left the unopened Sears package sitting on the kitchen table for me. I spotted it as soon as I walked in and couldn’t wait to open it. I ripped off the scotch tape and tore at the brown wrapping paper. I pulled it out and immediately ran my fingers through the lush suede. I moved the nap of the soft buttery hide in every direction to see all the different shades of brown within the leather. I held it up to my nose and smelled its newness. It had an indescribable sweet smell. It reminded me of a great big velvety Hershey’s bar.

I tried it on and strutted around the kitchen like Twiggy and struck all her famous poses from Vogue magazine. My mother raved on at how beautiful it was and how it was “definitely you.” If ever there was a jacket that was tailor-made for me, it was. I kept it on until John came to pick me up for the movies. He said it was a “nice” jacket but he wasn’t quite as enthusiastic as I had hoped he would be. I figured it was because he was just in a bad mood or something. But it wasn’t that. By then he was already telling the other girl how much he loved her and he didn’t have the guts to tell me that the summer was over. And so was his love for me.

We went to the movies that night and then for Cokes at the local teen hangout afterwards. We sat at the counter because we couldn’t get a booth. Maybe if we had, he would have told me about the other girl and I wouldn’t have had to find out from her instead. But we didn’t get a booth and it was crowded and he was moody and I was giddy about my new jacket. I thought I was so cool.

We ordered Cokes. He sat slumped over his and I sat sipping mine, all the while watching him, hoping and praying he’d say something utterly fantastic. After a few minutes I got bored and pulled the straw from my glass and started playing with it. I pushed my Coke off to the side of the counter to give me more room to twist and contort my straw into goofy shapes, and to keep a close watch on John, who by this time had his nose in his glass. He looked ridiculous. It was then that the guy beside me reached over for the ketchup bottle and spilled my Coke down the front of my brand new suede jacket. I jumped up like a bat out of Hell, screamed and then began mopping up the Coke like mad with piles of serviettes.

It was then that I discovered the resiliency of suede. The Coke seemed to slide right off. We all agreed it looked like it wouldn’t leave a stain. The Coke spilling guy felt awful about the accident and kept apologizing. I felt bad for the dumb jerk and told him I was sure my brand new suede jacket would be just fine once the Coke dried.

John and I left immediately and went straight to my house. I cried all the way home. John kissed me goodnight, which turned out to be our last kiss. I went to bed that night wearing my chocolate brown suede sixteen jacket and nothing else. It was all I needed.

When I found the sixteen jacket that morning tucked away with all the other things I never wear but can’t seem to throw out, I could smell the Hershey’s sweetness of the leather, John’s last kiss and the Coke down the front, the exhaust fumes from the borrowed Ford John drove that night, the tears and the joy. I could smell it all. I don’t remember anything ever in my whole life smelling so good.

I held it up to my nose the same way I did that Friday and I was sixteen all over again. I could feel the magic of that summer. I felt young and happy and it didn’t matter that I had a potbelly or crows feet. It didn’t matter that I would never be a Prima Ballerina. Because every Tuesday and Thursday when I put on the sixteen jacket and made my way to and from that dance class, I had a pocketful of dreams.

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The original manuscript typed in red ink on a Collegian Typewriter.

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Two Ballerinas.

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Ballerina Boo.

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Author Boo King on the left wearing the grey sweatpants.

 

 

 

 

Diaries of The Breadman’s Daughter: For the Love of Mary Passingham.

Ma in shorts

Dear Love,

I wanted you to know that my great grandmother’s name was Mary Passingham and she was born on the Isle of Wight. And that some day I’m going to write a romance novel and use Mary Passingham as my pen name.

I wanted you to know that I have always had a passion for reading books and I think that was a gift from Mary Passingham.

I wanted you to know that when I was growing up and everyone else in my house was watching television, I read books. And that I dreamed about another life that had nothing to do with the one that I lived.

I wanted you to know that my mother was raised by Mary Passingham and that she died when my older brother was two months old.

And that my mother loved her dearly. I say my mother, “loved dearly” because Mary Passingham was the only person who ever called my mother “dear” while she was growing up.

And I wanted you to know that because Mary Passingham called my mother “dear”, my mother at age ten, would walk two miles to Eaton’s to buy Mary a spool of embroidery thread. Just to be her dear. And because Mary taught my mother how to embroider. And my mother taught me.

I wanted you to know that Mary Passingham had no money but she loved my mother dearly and that once she gave my mother a bottle of Evening in Paris perfume for Christmas. My mother cherished that bottle of perfume. It didn’t matter that it cost only seventeen cents because it was a gift from Mary. And she received no others that year.

I wanted you to know that I never understood why I loved books so much until my mother told me that Mary Passingham spent her days reading books, doing embroidery and growing vegetables in the summer. In the summer my mother and her sisters feasted on Mary’s garden.

And I wanted you to know that Mary taught my mother how to bake bread. And my mother taught me. And that my mother loved sandwiches made with Mary’s homemade bread and lettuce from her garden.

And that I love sandwiches made with my mother’s homemade bread and lettuce freshly picked from her garden.

I wanted you to know that I love to spend my days reading books, doing embroidery and growing vegetables in the summer.

I wanted you to know that Mary Passingham had a china cabinet made of carved oak filled with knick-knacks and trinkets and that my mother polished it for her every Saturday morning.

And that my mother has a china cabinet made of Canadian maple filled with knick-knacks and trinkets but I never spent my Saturdays polishing it. Although I loved that china cabinet.

I don’t have a china cabinet but I have a house filled with knick-knacks and ornaments. And I love them dearly.

I wanted you to know about all these wonderful gifts that Marry Passingham gave to my mother. And my mother gave to me. I never knew Mary Passingham. Only my mother did.

But I wanted you to know that I love my mother dearly just as she did Mary. And even though I never met Mary I loved her dearly too.

Love,

Boo

Footnote: I came across this sweet little piece today while looking for an old story I had written called The Sixteen Jacket. I hadn’t seen it in years and thought it was lost. Both this piece and The Sixteen Jacket were written decades ago when I was a young woman, and long before my mother died. I don’t even remember who “Dear Love” was. I’ve decided to share it unedited, and exactly as I had written it back then, to honor with loving kindness the young blossoming writer that was just beginning to emerge from a veil of shy awkwardness.

Cherished pillow cases embroidered by my mother.

Cherished pillow cases embroidered by my mother.

I spent months embroidering the front of this denim skirt.

I spent months embroidering the front of this denim skirt.

Diaries of The Breadman’s Daughter: Open Heart Surgery.

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The act of authentic writing is like performing open-heart surgery on yourself. Without anesthetic.

You slice open your chest, rip apart your flesh, hack into your bones and pull it all out. You have to be willing to be vulnerable. Fragile. Breakable. Frightened at times. Scared out of your wits.

Where did this come from? Where is it going?

But to write this way you also have to be courageous. Fierce. Raw. Genuine. Willing to take big emotional risks. Go to the dark and scary places of your soul. Tell the truth.

I not only write from the heart. I give you my heart.

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Diaries of The Breadman’s Daughter: Defend and Stand Up for Something.

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Girl Warrior. Defend and stand up for something. That’s what true Girl Warriors do. Don’t stand on the sidelines. Believe in something. If you haven’t got a cause. Find one. The mission is personal. And it’s critical. Don’t worry if you’re the only one fighting for it. That’s not the point. If it’s meaningful to you, then get behind it.

Breathe life into it in a way only you can.

While you’re standing up for something, avoid putting someone else down. No matter how much you disagree. Cheap shots are easy and beneath you. Defend their right to have their own beliefs. Don’t kick or trample on the weak. Reach out and extend a helping hand.

Girl Warrior, invite them to stand with you.

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Diaries of The Breadman’s Daughter: Follow Your Passions.

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Girl Warrior. Follow your passions. Therein lies your love affair with life. Be curious. Channel your inner Curious George. Do things that you love to do. Be enthusiastic. Keen. Overflowing with zeal, zest and gusto. Embrace new ideas and ways of doing the things you already know. Be creative. Imaginative.

Take the magical mystery tour. Expand. Grow. Cultivate. Hone. Set your heart on fire. Grab a handful. Then another. And another. Gush about the things you love. Take risks. Embrace the failures on the way to your successes. Learn and get on with it.

Dive in with your whole heart Girl Warrior.

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Cheryl with her art

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Diaries of The Breadman’s Daughter: We All Want to be Liked.

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Last week I watched an episode of Frontline called Generation Like. It was an enormously compelling, at times inspirational, but ultimately for me, a disturbing look into the desire by teens to be “liked” on social media platforms, like Facebook, Twitter, Instagram and YouTube.

On the one hand it was inspiring to see the accomplishments of some of these young social media “stars”, especially the ones with real talent. As the show illustrated, it’s a whole different world of connectivity, where a poor kid with buckets of personality, who also happens to be a crazy-ass gifted skateboarder, can achieve fame on YouTube, and maybe, just maybe, a fortune as well. This kid is a head-to-toe living-breathing billboard for Big Brands, all featured brightly on his YouTube videos. I say, good for him and all the others like him, who are using Social Media and these Big Brands to promote themselves and possibly transform their lives for the better. Of course, the darker side of all of this is that these kids are also being used and perhaps exploited. But that’s a whole other story, for another day, another blog post.

What really resonated with me in this documentary was the insatiable desire by all these kids to acquire the coveted LIKES, the currency of self-worth. There’s a wellspring of elation and euphoria if the LIKES are high for a particular post, but should the LIKE count dip, distress and despair follow. This is the tragic roller-coaster rise and fall of self-esteem and value in Social Media Land.

But here’s the rub. It’s not just teenagers who feel this way. I’m a fully-formed adult with a lifetime of experience in my rear view mirror, and at the risk of full disclosure, I understand how these kids feel. I get it. I was a teenager who was tailored made for Social Media, had it been around back then in the prehistoric days of dinosaurs and diskettes.

Truth is I wish I didn’t get it, that none of this made sense. Like the weirdness of Alice in Wonderland or Ozzy Osbourne. All this exhausting vying for attention, the begging and pleading to be noticed, acknowledged, complimented, desired and admired. The persistent popularity contest. The trendy or trending. The endless sharing. The viral. The cool. Fashionable. Commercial. And ultimately the marketable. It’s all so consuming.

As a writer, storyteller and blogger I’d be lying if I said that none of this mattered to me, that I was completely oblivious and above the fray. Yet every time I post one of my stories on Facebook, Twitter, Cowbird or Tumblr I say a small silent prayer that it will resonate with at least one person in cyberspace. And because I’m not a complete narcissistic ass, I also pray that my words will do some good. Serve humanity. Push the conversation towards optimistic, positive, hopeful, encouraging and promising places in the hearts of others.

But there are times, many times, when nothing, and I mean absolutely nothing, happens. It’s like no one is out there. There’s a moment afterwards when I feel disappointed. Discouraged. Disheartened. Dispirited. Depressed.

I feel UN-LIKED.

When this happens, I’m plagued with self-doubt and insecurity. My Nasty Nelly inside-voice shouts, “You are not now, and never will be, among the great writers of your time. You are invisible and no one gives a shit what you have to say. So shut the fuck up. Quit.”

Then I brush it off. Like the dandruff on my shoulders. Or the dog fur on my pants.

Because I can. Because I won’t quit. And because I know better. None of this has anything to do with my self-worth. Or my ability to tell a story, for that matter. I gently and kindly remind myself, that I write because this is what I love to do. This is my big fat stupendous and spectacular passion. My magnificent obsession. I remind myself that this is one of the reasons I was put on earth, at this unique and particular time in history.

So I give it another shot. I kick the can down the road one more time. I write another story. Because in the end, when I drill down to the core of what motivates me. I write because I love the art and the process and the doing of it.

These days, I’m working on not giving a shit about the outcome, or how my stuff will be received. Good bad or otherwise.

The LIKES or HEARTS or THUMBS-UP are like the extra toppings on the Sundae. Nice. But not necessary.

http://www.pbs.org/wgbh/pages/frontline/generation-like/?fb_action_ids=10152966835316644&fb_action_types=og.recommends

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Diaries of The Breadman’s Daughter: Good Faith and Libraries.

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I recently finished reading All My Puny Sorrows by Miriam Toews. Like her other novels, it too was beautifully written and a brilliant read. After I finished the book, I said the same thing I always do, “Damn, I wish I had her talent for storytelling and way with words.” Miriam deserves every accolade ever bestowed upon her. And more.

I loved everything about this book, even the puzzling double ending. But it was a particular passage on page 267 that really resonated with me. Quite simply, it blew my mind.

Here it is:

“What had she said about libraries and civilization? Because you make a promise, she’d said. You promise to return the book. You promise to come back. What other institution operates in such good faith, Yo?”

I’d like to see more promises of “good faith” like this.

Good faith that we’ll do the right thing because it is right, and for no other reason. No matter how difficult. No matter how much we rail or protest or rage against the credo or moral code. No matter how uncomfortable it makes us. We can even criticize, complain and condemn. But after all that, in the end, when the rubber hits the road, we’ll listen to the small quiet voice of our higher self. The voice of reason, truth and common decency. Do the right thing. Keep our promise. We will return the book.

Good faith that when I fall back you will always be there to catch me. And I will do the same for you. We will keep our promise to each other. We will return the book.

Good faith in the ultimate goodness of humanity, that we’re more good than bad. That somewhere deep inside each and every one of us this knowing and wisdom exists. Good faith that evil is an abomination and an anomaly. Not the norm. We will keep our promise to preserve and cherish our humanness. We will return the book.

Good faith that we are, at our fundamental core, good well-meaning folks, living in good communities with good leaders, sending our kids to good schools with good teachers, worshipping freely in harbors of safety, regardless of our beliefs and definition of God. We will keep our promise to be kind and magnanimous and neighborly. We will return the book.

Good faith that when I reach out my hand and heart to yours, that you will reciprocate. And together we will return the book.

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Diaries of The Breadman’s Daughter: Snapshot of Ma in the Driveway at 204.

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Ma stood in the driveway waiting for her sister Hazel to come and pick her up to go shopping at Intercity. I sat in the orange plaid swivel rocker and watched her from the living room window.

The sky was clear and blue and the snow was crisp and clean. The snow banks were so high on either side of the driveway entrance that they dwarfed Ma’s already small frame. She was wearing her gray fake fur coat. I don’t know what animal it was imitating. Her purse was draped across her chest. She wasn’t wearing a hat.

While she was waiting, she traced the snow in an arc with the toe of her boot. Like a windshield wiper. Back and forth. Every now and then she would pause and look down the street for my Auntie Hazel’s car.

Her cheeks were blushed red from the cold air and her dark eyes were so bright and alive. I had to remind myself that she was well into her seventies.

I will always remember her that way. The image of her at the end of the driveway, with the winter sun shining its pure radiant light on that particular spot, in that particular solitary moment, and on that particular woman, just for me to see. To bear witness.

And in that sacred, intimate and private moment, my heart was overflowing with tenderness. And love.

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