Rumbling with Disappointment.

Girl Warrior Productions - Novel by Boo King Summer in a Red Mustang with Cookies

This week I’ve been listening to Brene Brown’s book Rising Strong in the little red Ford Escape to and from work. Risking criticism for excessive use of alliteration, Brene Brown is a brave beautiful brilliant writer. And her book is bringing me to my knees. I am face down in the arena Brene. Get the book and you’ll understand the reference.

The book is making me think. And more importantly it is making me feel. Lots of feels. More feels than I can process in the twenty-minute drive to work. So I’m doing it here, in my safe space, and I’m sharing it with you, which doesn’t feel safe at all. Wearing my vulnerability on my sleeve, risking emotional exposure and shame is scary. I’m feeling the fear and doing it anyway.

One of the biggest feelings that Rising Strong has brought me face-to-face with this week is that of disappointment. Raw, unvarnished, unrestrained and intense, really fucking big disappointment. It sucks. I’ve been rumbling with this feeling all week but in truth, it’s been lurking in every single landscape of my life for years. I just couldn’t properly identify it until now. The hardest part is how personal it is. I can’t blame or point the finger at any other person, place or thing. It’s pointing directly at me. I am the bullseye. Me. Me. Me.

At the top of the list of disappointments – Summer in a Red Mustang with Cookies, a novel by boo king.

This is particularly grim because it was a story I was born to tell. The first draft was written back in the Toronto days when my oldest daughter was a wee one. For three or four years during her afternoon naps, I cranked out the first draft to three novels. Back then, naively, I thought writing a novel was just in the telling, which is what draft one is all about. I was not interested in going back in and doing the really hard work of editing and re-writing and re-writing and re-writing until I got it right. I just wanted to tell the stories and express myself creatively. And then move on. Kind of like my feelings. Move on from any of them that make me the least bit uncomfortable. True story.

Those three novels didn’t get past draft one. Eventually after twelve years, a modest career in Advertising as a copywriter, and one life-altering separation, I moved away from Toronto. I left with my two older kids, three cats, about a thousand bucks in cash that I made at a garage sale, overdrawn on my overdraft, no husband, no partner in crime, no job prospects, no security, no nothing, and headed west to Victoria looking for a brighter future and my happily ever after.

I got that. Well, sort of. I got a job in a small boutique design firm, found an apartment in the top floor of a house owned by a newlywed couple, met a man who didn’t fit, met another man who I fell in love with, got pregnant, declared bankruptcy, moved a few times, changed jobs, but kept working and working and working. Not as a writer but as a Production Manager/Producer. The writing stopped when I left Toronto. And it was killing me.

Since childhood, writing has always been my thing. The painfully shy girl’s voice, the saving grace, the outlet, means of expression, the avenue and channel for all my feelings, thoughts and emotions. I learned to read and then I started to write. Not doing it, felt wrong. I was ill at ease for years. Not right in my skin. I didn’t feel like me.

At the direction, and wise counsel of my best friend, who simply would not tolerate my whining about not writing, I began as she advised: one word at a time. Best advice ever and just one of the many reasons why I love her and why we’re lifelong friends.

Of the three first drafts I had written in Toronto, one of the stories haunted me, demanding that I pay attention and do something with it. I blushed with secret embarrassment reading the earnest and unbridled words of a much younger me, and then I immediately went to work flushing out the story. New characters emerged, old ones fell away but the main character, Jo survived and then magic happened. A completely new story was born around Jo. The Summer” novel bore very little resemblance to the original first draft but that first draft was the impetus that lit the fire.

Because I was working full time, had three kids and little free time, I mapped out my daily writing time before the rest of the family got up. For almost four years I got up at 4:00 am and wrote before I did anything else. It was that important to me. At first, one word at a time, then one sentence and then one paragraph, page, chapter, entire novel. This time, I wrote, and re-wrote, and re-wrote, and re-wrote again and again and again. I was a ruthless, unsentimental and detached editor of my own work, a skill I had learned as a copywriter in Toronto. Then in February and March of 2001, within five weeks of each other, both my parents died. The novel was getting close to completion but not nearly ready for anyone other than me to read it.

I worked through my grief by writing. I became obsessed with completing the novel, with creating something that Ma and The Old Man would have been proud of. I stepped up my writing to include evenings and weekends. It was my passion, my magnificent obsession, my channel for dealing with sorrow and loss, and a tribute to my parents. It was a fictionalized version of our story. And in that frame of mind, I was determined to publish it. No one was going to stand in my way. No one.

By then, wrongly or rightly, I believed I wouldn’t be able to cope with, nor bear, any form of rejection or further loss. I also believed I didn’t have the strength, courage or wherewithal to jump through the hoops necessary to acquire a traditional publisher. The mere thought of receiving rejection letters was beyond endurable. I just could not do it. At least the story I told myself.

I decided to publish the novel myself. By this time I was a seasoned Production Manager and I knew how to pull a creative team together to get it done. To put it in perspective, in Canada self-publishing was in its infancy, so was blogging and social media, and there were very few Indie producers and artists. Nothing like it is today.

Fragile complicated emotions aside, the thought of undertaking a project of this scope intrigued and excited me. I hooked up with Trafford Publishing who handled all the publishing and legal stuff, hired my own talented crew of design and production professionals, proofreaders and beta readers, and solicited the feedback and candor of my best friend and editorial sounding board. Shortly before Christmas 2001, the book was published. With the exception of my children, it was my greatest accomplishment.

Seventeen years later, it is my greatest disappointment. It is at the very top of a long list of huge commercial failures – the novel, the book for girl warriors, the speaking engagements, the storytelling, the website, the girl warrior productions, the interviews, the t-shirts, the blogging, the poetry writing, the songwriting, the social media, the recordings and the guided meditations. Personal and professional flops each and every one. It’s exhausting just thinking about it. But Summer in a Red Mustang with Cookies hurts the most. The palpable pain of that disappointment is the worst, the fucking worst.

I didn’t have the courage and I wasn’t brave. Worse yet, I didn’t even try. And because I was unwilling to risk rejection by a traditional publisher, this funny heartbreaking little story, this homage to my parents, siblings, friends, neighbors and the redneck northwestern Ontario town where I grew up never took flight, never found its wings, and worst of all, never found its readers. And that’s all on me.

But it’s also on me that I acknowledge and accept that I feel this disappointment. It’s real and it’s okay, or it will be. It’s also on me that I am completely vulnerable, curious and have my heart wide open to all ‘the feels’ that will come. It’s also on me to keep rumbling with these feelings and to Rise Strong. And most importantly, it’s also on me to continue writing and storytelling no matter what.

Get Rising Strong here:

https://amzn.to/2w7FGTi

Learn more about Brene Brown here:

https://brenebrown.com/

 

Diaries of The Breadman’s Daughter: Finding My Voice.

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I found my voice. For many years I’ve suffered from writer’s laryngitis. My writer’s voice sounded sort of like me. But it wasn’t 100% authentic. Not really me. Close but no cigars.

When I first started writing I mimicked other writers. This wasn’t a conscious act on my part. I’ve always read a lot so when I started writing my own stuff I subconsciously channeled the authors that I liked to read. I learned to write novels by reading novels. I read for pleasure but part of me was always studying the technique, style and process the author used to tell their story. This was helpful. The hard part was erasing their voice from my head so mine could take over and tell my own stories.

The other hard part was shutting down my inner critic. The ugliest voice of all. The judge. Jury. And executioner of all things creative. The one who paralyzes. Punishes boldness. And pushes sweet dreams downward. Getting rid of that monster was essential.

It’s taken years to find my true voice. The one I’m using right now as I write this blog.

My authentic voice began to emerge in the writing of my first novel Summer in a Red Mustang with Cookies. Regrettable title. But for now I’m stuck with it. The challenge with writing a novel and creating fictional characters is creating authentic real voices for them. There’s your voice, which is the over-arching narrative. And there are the voices of the people you create. This was a fascinating journey of discovery. But only the beginning.

My real voice took a foothold in 2011 when I started this blog. Post by post. Bit by bit my real voice has surfaced. Manifested. Revealed itself. And it has been a joy.

For years I’ve felt like I was speaking through a blanket. Or many blankets on some days. Let the authentic honest voice out is frightening, intimidating, awkward, and at times disturbing. But it’s also liberating, empowering, profound, and the best thing that could ever happen to a writer. Or anyone.

We all have a voice. I learned that valuable lesson last fall.

I love to sing as much as I love to write. But I’ve always been self-conscious of my singing voice. So I reserved all singing to this room, the shower, along the quiet country road that I walk at lunch and church. Then there was that one cringe-worthy performance at our wedding where I sang the love song I wrote for E. Enough said.

That moment, recorded forever on our guests’ iPhones and posted to YouTube, has haunted me. I blush at the thought.  But out of that experience came the next evolution in finding my voice. I spent four months exploring the physical voice with a wonderful teacher, who not only encouraged me to sing, but to do it fearlessly. Right from the gut.

You should too.

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Diaries of The Breadman’s Daughter: Friday Night Dinner.

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This is a little fictional riff I wrote on routines and rituals, the dance of love, the intricacies of marriage and cooking Italian on Friday nights.

Pasta and Salad

They were back to back cooking Friday night dinner. The usual. Pasta and salad. He asked her what she was thinking. She told him the truth. He changed his mind about slicing the cherry tomato in half. Instead he turned to admire her lovely sensual back as she stirred the marinara sauce.

Basil and Oregano

His grip tightened. The sweetness of freshly plucked basil and oregano enveloped the kitchen. The spaghetti strap on her white cotton sundress slipped loosely over her tanned shoulder. Her hair scooped high in a messy tail exposed her delicate neck. He was no longer hungry. The truth had that affect on him.

Marinara Sauce

The sway to her hips as she grooved to Coldplay broke his heart. Nobody said it was easy. They got that right. Her sultry Italian lips kissed the wooden spoon smothered in steaming marinara. When they first started cooking together she would invite him to taste her sauce. But it was no longer his palate that she was seeking to please.

Steamy Sacred Ritual

She adjusted the seasoning and plunged the spoon back into the thick rich sauce. He noticed that one of her turquoise earrings was missing and this made him feel sad. God, it was hotter than hell outside and sizzling in their tiny kitchen. Yet she insisted on keeping this weekly culinary ritual. “Sacred,” she called it. Insane, was more like it.

Boiling Water

He was sweating bullets yet she was cool as a cucumber. Her full childbearing hips rotated in pulsing infinity circles. Round and round. Effortlessly sustaining the rhythm of the driving guitar riff, all the while stirring the marinara. Irony is cruel at times. Some voids were impossible to fill. The stainless steel pasta pot, a wedding gift from her parents, had come to a full boil. Spitting and splashing beads of water violently onto the stove top. Like angry tears. He could relate.

Fistfuls of Linguine.

As she reached for the pasta, he could see the thin translucent scar on the inside of her fragile wrist. Exposed and formidable. Skimming the surface of her veins. He longed to run his finger across it. Feel her vulnerability once more. He remembered how red and swollen it was at first. Like a lost river. But they were beyond that now. She measured the linguine by fistfuls. One for him. One for her. One for the pot. Just in case.

Forks and Other Kokkengrej.

She reached for the stainless steel fork that was stuffed in the pottery utensil jar next to the stove. It was the big one he used to remove the steaks from the BBQ. He knew it was bad form to pierce the meat like that. Releases their juices, she would chastise. Toughens the meat and makes it hard to chew. He knew this. But he couldn’t resist the urge to stab. Impale lifeless objects. It was in his blood. He was once an ancient warrior. She was the Goddess of basil and other fine herbs.

Al Dente.

He leaned back on the counter and watched as she stirred the pasta. He had difficulty breathing around her. There was a time when this was fun. And romantic. He closed his eyes and remembered. How she used to test the spaghetti. How she’d take a few strands and toss them across the room. How they giggled and applauded the sticky ones. How they carved their love in steam.

Breaking Bread

She insisted he cut the bread into perfectly polite little pieces. “It’s not rocket science,” he scoffed as he pulled out the scarred pine board and prepared the filone for cutting. It wasn’t all that different from sawing a piece of wood. A skill he had mastered at his father’s side by the time he was eight. She was all wrong about the bread though. It was made to be broken, torn and ripped apart. Stuffed into their mouths like savages.

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Diaries of The Breadman’s Daughter: Peripheral Vision.

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When I’m driving,

The things I see in my peripheral vision frighten me.

More than anything I see square on,

Or right in front of my face.

These are the bugaboos that catch me off guard.

Seem to come out of nowhere,

And startle me.

 

My heart races.

Pulse quickens.

Sweat gathers on my brow.

 

On some level I’m always on the lookout.

My eyes scan the edges.

I take quick sideways glances.

Double takes.

Triple checks.

 

Then I squeeze the steering wheel,

And take a deep breath.

I exhale the fear out of my body,

And focus on the road ahead.

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Diaries of The Breadman’s Daughter: The Sixteen Jacket.

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Author Boo King on the right wearing her Sixteen Jacket.

This is a story I wrote when I was thirty and living in Toronto about a jacket I bought when I was sixteen and living in Northwestern Ontario.

Tuesday and Thursdays were ballet night. Twice a-week, fifty-two weeks, one hundred and four classes, three hundred and and twelve hours, times two years, I endured the art of becoming physically fit. This was my commitment to “ParticipACTION.” I chose ballet because I thought it was a graceful form of exercise and also because as a child I had taken ballet lessons every Saturday morning for six years. I thought it was like riding a bike in that you never forgot how to do it, and that I could resume where I left off at age twelve. I was wrong.

My mind remembered so many fanciful things about those ballet lessons: the plies, the pirouette, the arabesque and the five basic positions of the feet. Unfortunately my body, which was stubborn and lazy at best, didn’t remember anything about those six years. I mean nothing. Nada. Zip. Zilch. Zero. A complete blank. My body was suffering from a bad case of childhood amnesia. There wasn’t a single solitary drop of aching residue in the memory bank.

Had there been some hint, some vague omen or sign of the pain and agony my aging body was facing, I would have chosen something less physical like badminton or lawn bowling. But there was no forewarning, no psychic twinge. So I heedlessly signed up for “introductory ballet” at a school within walking distance of our home.

Every Tuesday and Thursday night I was out there pliéing and pirouetting my popsicle-stick legs off. (I had terribly thin legs, which should have been another clue that perhaps ballet dancing wasn’t a good fit.)

After two years my body didn’t hurt quite so much. I could just about touch my toes without bending my knees and manage a demi-plié with semi-perfection on a good night. And I no longer hyperventilated in the middle of thirty soubresauts. My legs, however, still looked like two popsicle-sticks. And I had also faced the icy truth that I would never be able to do a pirouette nor an arabesque. My body was no longer equipped to do those things and probably never was.

Despite my skinny legs, I still entertained a few fantasies. I saw myself leaping and flying across the stage like Karen Kain or at the very least, Mary Poppins. I daydreamed about being Prima Ballerina for the National Ballet and touring the world, dancing the classics with the most renowned dancers. I mused that audiences would weep at my stunning performances and throw roses. Hundreds of them. White.

I went to Malabars and bought my black leotard and pink tights with matching pink leather slippers. I thought I looked pretty terrific, especially if you squinted with one eye and closed the other and only looked at my derriere. I was all set. I was a ballerina. I was more than ready for my first night of class after thirty years of very little exercise, one husband, two kids, two cats and an unhealthy addiction to Hawkins Cheezies.

I clung irrationally to the fantasy of becoming a dancer because it made me happy and also because it made it easier to drag my sorry ass home at the end of class. The fantasy got me through immeasurable humiliations. Like the sweat-drenched leotard and the run up the side of my pink tights, which lead to a golf-ball-sized hole at the top of my thigh. I didn’t get the hole from doing one too many jetés either, which is probably how Karen got hers, but from the clothesline. The plastic coating had worn off in one spot and I had the misfortune of hanging my tights right on top of the bare wire. The tights clung to the line like a blood-sucking leach and the only way I could pry them free was to cut them. It had been my intention to repair the hole except it was one of those things I never quite got around to. Instead I learned to live with the hole and began saving for an automatic dryer.

The Prima Ballerina fantasy also helped me forget that I didn’t have flat abdominals, my shoulders slouched, my hair was turning grey and the cute laugh lines were actually crow’s feet. It also helped me forget that I was the oldest student in the class and that the others didn’t have runs in their tights, a potbelly from two kids and too much tea, droopy boobs and legs that looked like Good Humor Bar sticks. They all had long muscular – but not too muscular – dancer’s legs with flat tummies and firm perky breasts and bums. It just didn’t seem fair somehow. Everyone was also so much taller. I’ve never felt so short in my life as I did in that class. Gravity seemed to be tugging me closer to the ground with every passing year. I figured by the time I was fifty I’d be three feet tall like the Munchkins in the Wizard of Oz.

I dressed for warmth on the nights that I went to class, especially when it was really cold. I didn’t dress for fashion. I gave up being fashionable when my daughter was six months old, teething and also had the flu, only I didn’t know it until she threw up all over a new sweater I had just bought. It was the last fashionable thing I had purchased for years. I typically wore a scratchy wool sweater over my leotard and jogging pants over my tights. Just to make things extra cozy and extra awful all at the same time, I piled on wooly socks, wooly mitts, wooly hat, wooly scarf, wooly jacket and hideous but practical boots. I was only walking three blocks but I realized since I turned thirty that I hate winter and can’t stand the cold. Every winter I made a promise to myself that when I became a rich and famous ballerina I was going to spend the winters in Tahiti or anywhere below the forty-ninth parallel. I wanted out of Canada in the winter. Possibly permanently.

I bought the jogging pants because three New Years Eves earlier I resolved to start running to ward off the excess baggage I was carrying around after my second kid. They were grey sweat-shirty material with a drawstring waist that I thought would get drawn tighter and tighter with every mile I ran and every inch I lost. As it turned out, I never exactly ran a mile nor did I lose an inch. I gained one or two because the pants were so comfy and roomy that I never wanted to take them off. They gave me so much room to grow. They became my happy pants.

I tried to run. I really did. But it just didn’t work for me. I guess my body wasn’t equipped to run either. My first run was so full of promise. There I was in my new grey sweatpants and black sneakers, the epitome of running prowess all raring to go. Two blocks later and I swear I could not breathe. I had absolutely no air in my lungs. None.

I started to gasp and wheeze and I had absolutely no feeling in my body from the waist down. My legs were numb. I could see them wobbling like Jell-O beneath the grey jogging pants and I just couldn’t get them to move another inch. My body was treasonous. What could I do but surrender and give up running.

I limped home, collapsed through the door and begged my husband to pull the sneakers from my lifeless feet. I folded up the sweatpants and stuffed them in the back of our linen closet behind the sheets and pillowcases.

I pulled them out one time after that. It was about five months later when I figured I would give running one more try. I put on the pants and a coordinating red t-shirt and immediately broke into a cold sweat. My breathing grew labored and my ankles felt weak. I recognized the symptoms. I had jogger-phobia, aka runners-terror. I was deathly allergic to running and anything associated with it.

The first time I decided to wear the sweatpants to dance class I was so worried that I would be overcome with jogger-phobia that I actually had to psyche myself up for the task. I was determined to overcome all negative associations with the pants. They were just pants after all. Victory would be mine. They were in perfect condition and I hadn’t worn anything in perfect condition since the birth of my second kid. I also thought they were the perfect thing to wear after a sweaty workout. Why else would they be called sweatpants? Besides that, everyone seemed to be wearing them. A fashionable opportunity had presented itself and I could not turn it away. For once in a really long time I would be on-trend.

I survived that first night and the subsequent two years of classes. The grey sweatpants became part of the uniform that I wore to class every week, along with the “sixteen jacket.”

I started wearing the sixteen jacket about nine months after my first class. It was nine months – one winter, one spring and one summer of pliéing my legs off and wearing the grey sweatpants afterwards. It was late September and the summer sun was long gone in the sky. The evenings were growing cool, the leaves were beginning to drop and the first snowflakes were threatening the sky. The time was drawing near when I would have to pull out the old black duffle coat that I had worn for so many years I was seriously considering having my floors carpeted in duffle because it never seemed to wear out. It was like some weird alloy of steel and sheep.

The weather had taken a turn for the worst the day before class that September. I could smell winter coming even though Fall had just begun. It was a strange year. The trees were shedding profusely and my knees were beginning to ache. It was time to pull out the old duffle to wear to class the next night. The morning of the class I foraged through the storage closet in the basement in search of the duffle coat and my black wool hat. That’s when I discovered the sixteen jacket – sandwiched between my husband’s winter parka and my son’s skidoo suit. I called it the sixteen jacket because I bought it the summer I turned sixteen.

There’s something magical about turning sixteen, especially in the summer. Summer has always been a magical time for me anyway so turning sixteen during my favorite season only made it that much better.

I had lots of hopes and dreams for that summer. I hoped I would get a job, which I did. I hoped I would have enough money at the end of the summer to buy the chocolate brown suede jacket I saw in the Fall Sears catalog, which I did. I hoped I would meet a boy and fall in love, which I did. I hoped I would find out what it was like to kiss a boy, which I did. I also hoped my face would clear up, my hair would grow instantly from my shoulders to my waist and that my boobs would grow at least six sizes. None of those things happened. But I wasn’t disillusioned because I was too happy about all the other things that did happen. It was a fabulous summer and I was convinced it was all because I had turned sixteen.

Actually the job I got wasn’t exactly what I had hoped for. My girlfriend Suzy got a job helping her mother in the cafeteria of the newspaper. And my other girlfriend Terry got a job working as a checkout girl at Safeway and I got Terry’s old babysitting job. It wasn’t such a great job but I was grateful to get anything because I really wanted that jacket. I worked for this family with three kids – two boys, one of which was handicapped, and a girl. They were nice kids. I was an awful babysitter. I sat from eight until noon, Monday to Friday and made twenty-five dollars a week.

I never really liked babysitting. It’s not that I didn’t like the kids because I did; it’s just that it was so tiring. I guess my body was pretty lazy even back then. I was usually more tired in the morning. It was a bad time to be sitting. Sitting is literally all I did. I sat in this La-Z-Boy recliner that they had in their living room and watched the kids. They were studious kids. Brains. The oldest one wasn’t much younger than me and I often wondered why I was even there. They used to like to play games. I hated games. Still do. I would play with them once and a while on one of my better mornings but mostly I just sat there and watched until their mother came home and said I could leave. Then I’d be back the next morning at ten to eight and resume my place in the old recliner. I was a really awful babysitter. And I would have felt guilty about taking the twenty-five dollars every week if I hadn’t been sixteen and wanted that jacket so badly.

I guess falling in love was the most important thing that happened to me that summer. He was my first boyfriend. I hadn’t been too big on boys up until that summer but sometime between March and June I got a bad case of the boy crazies. Suddenly boys were no longer jerks. They were cool and neat and I wanted one. Actually I think I really just wanted to wear one of their rings on my middle finger with gobs of white tape to hold it on more than I really wanted a boyfriend. I also really wanted to kiss one. At least once.

I met mine on a humid July Saturday night walking home from a movie with Suzy and Terry. He was with two of his friends in an old blue Ford with a noisy engine and a jacked-up rear end. I thought it was the grooviest thing I had ever seen. I also thought he was too. His name was John and I fell madly in love at first sight.

It was about a mile walk home from the movie theatre. We were laughing and discussing the merits of the movie when John and his friends pulled up beside us. At first we pretended we didn’t see them because they seemed like a bunch of jerks. But when they kept driving that old Ford along the road beside us, whistling and making catcalls we couldn’t ignore them any longer. Or at least Suzy decided she couldn’t. She was the most daring of the three of us, plus she had a very bad case of the boy crazies, even worse than me. Suzy had caught sight of the driver and was definitely interested in meeting him. When they asked if we wanted a ride Suzy said yes without hesitation and was in the back seat before Terry and I had a chance to refuse. I remember sitting in the back seat thinking this wasn’t a very good idea and that I shouldn’t be there. My mother had warned me at least two thousand times that I shouldn’t get into cars with strange boys. But then they were so darned cute. Especially John.

Nothing happened anyway. At least nothing bad happened. We drove around town, cruised the strip and went to A & W (A ‘n Dub) for teen burgers and root beers. John asked me for my number. I gave it to him and prayed he’d phone. I also prayed I wouldn’t break out into a terminal case of acne from the root beer.

John and I dated that entire summer. He gave me his ring, which I wrapped with white adhesive tape and wore on the middle finger of my left hand. We went to the drive-in where we swore to love each other forever and a day. We shared popcorn, hot dogs, French fries and Cokes. I thought love was sublime except that it was a little hard on the face. I felt very beautiful and grown-up.

By mid-September John was confessing his undying love to someone else. I suspected but didn’t actually know for sure until the other girl came to me and said John wanted me to give her his ring. So I did. White tape and all. I cried one whole night and the next morning at school, which I felt was an appropriate amount of time for a first love.

I bought the sixteen jacket the first week of September. It was the first really major thing I had ever bought with my own money. I ordered it through the Sears catalog. I came home every day from school that week and asked my mother if Sears had phoned yet to say the jacket was in. Sixteen year-olds are very impatient as well as having absolutely no concept of time. Finally after what seemed like months, it came. My mother had Sears deliver it right to our door. It came on a Friday, which was perfect because I would be able to wear it out to the movies with John that night. I was anxious to show it to him. My mother left the unopened Sears package sitting on the kitchen table for me. I spotted it as soon as I walked in and couldn’t wait to open it. I ripped off the scotch tape and tore at the brown wrapping paper. I pulled it out and immediately ran my fingers through the lush suede. I moved the nap of the soft buttery hide in every direction to see all the different shades of brown within the leather. I held it up to my nose and smelled its newness. It had an indescribable sweet smell. It reminded me of a great big velvety Hershey’s bar.

I tried it on and strutted around the kitchen like Twiggy and struck all her famous poses from Vogue magazine. My mother raved on at how beautiful it was and how it was “definitely you.” If ever there was a jacket that was tailor-made for me, it was. I kept it on until John came to pick me up for the movies. He said it was a “nice” jacket but he wasn’t quite as enthusiastic as I had hoped he would be. I figured it was because he was just in a bad mood or something. But it wasn’t that. By then he was already telling the other girl how much he loved her and he didn’t have the guts to tell me that the summer was over. And so was his love for me.

We went to the movies that night and then for Cokes at the local teen hangout afterwards. We sat at the counter because we couldn’t get a booth. Maybe if we had, he would have told me about the other girl and I wouldn’t have had to find out from her instead. But we didn’t get a booth and it was crowded and he was moody and I was giddy about my new jacket. I thought I was so cool.

We ordered Cokes. He sat slumped over his and I sat sipping mine, all the while watching him, hoping and praying he’d say something utterly fantastic. After a few minutes I got bored and pulled the straw from my glass and started playing with it. I pushed my Coke off to the side of the counter to give me more room to twist and contort my straw into goofy shapes, and to keep a close watch on John, who by this time had his nose in his glass. He looked ridiculous. It was then that the guy beside me reached over for the ketchup bottle and spilled my Coke down the front of my brand new suede jacket. I jumped up like a bat out of Hell, screamed and then began mopping up the Coke like mad with piles of serviettes.

It was then that I discovered the resiliency of suede. The Coke seemed to slide right off. We all agreed it looked like it wouldn’t leave a stain. The Coke spilling guy felt awful about the accident and kept apologizing. I felt bad for the dumb jerk and told him I was sure my brand new suede jacket would be just fine once the Coke dried.

John and I left immediately and went straight to my house. I cried all the way home. John kissed me goodnight, which turned out to be our last kiss. I went to bed that night wearing my chocolate brown suede sixteen jacket and nothing else. It was all I needed.

When I found the sixteen jacket that morning tucked away with all the other things I never wear but can’t seem to throw out, I could smell the Hershey’s sweetness of the leather, John’s last kiss and the Coke down the front, the exhaust fumes from the borrowed Ford John drove that night, the tears and the joy. I could smell it all. I don’t remember anything ever in my whole life smelling so good.

I held it up to my nose the same way I did that Friday and I was sixteen all over again. I could feel the magic of that summer. I felt young and happy and it didn’t matter that I had a potbelly or crows feet. It didn’t matter that I would never be a Prima Ballerina. Because every Tuesday and Thursday when I put on the sixteen jacket and made my way to and from that dance class, I had a pocketful of dreams.

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The original manuscript typed in red ink on a Collegian Typewriter.

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Two Ballerinas.

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Ballerina Boo.

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Author Boo King on the left wearing the grey sweatpants.

 

 

 

 

Diaries of The Breadman’s Daughter: Good Faith and Libraries.

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I recently finished reading All My Puny Sorrows by Miriam Toews. Like her other novels, it too was beautifully written and a brilliant read. After I finished the book, I said the same thing I always do, “Damn, I wish I had her talent for storytelling and way with words.” Miriam deserves every accolade ever bestowed upon her. And more.

I loved everything about this book, even the puzzling double ending. But it was a particular passage on page 267 that really resonated with me. Quite simply, it blew my mind.

Here it is:

“What had she said about libraries and civilization? Because you make a promise, she’d said. You promise to return the book. You promise to come back. What other institution operates in such good faith, Yo?”

I’d like to see more promises of “good faith” like this.

Good faith that we’ll do the right thing because it is right, and for no other reason. No matter how difficult. No matter how much we rail or protest or rage against the credo or moral code. No matter how uncomfortable it makes us. We can even criticize, complain and condemn. But after all that, in the end, when the rubber hits the road, we’ll listen to the small quiet voice of our higher self. The voice of reason, truth and common decency. Do the right thing. Keep our promise. We will return the book.

Good faith that when I fall back you will always be there to catch me. And I will do the same for you. We will keep our promise to each other. We will return the book.

Good faith in the ultimate goodness of humanity, that we’re more good than bad. That somewhere deep inside each and every one of us this knowing and wisdom exists. Good faith that evil is an abomination and an anomaly. Not the norm. We will keep our promise to preserve and cherish our humanness. We will return the book.

Good faith that we are, at our fundamental core, good well-meaning folks, living in good communities with good leaders, sending our kids to good schools with good teachers, worshipping freely in harbors of safety, regardless of our beliefs and definition of God. We will keep our promise to be kind and magnanimous and neighborly. We will return the book.

Good faith that when I reach out my hand and heart to yours, that you will reciprocate. And together we will return the book.

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